This unit will draw on a wide range of photographic material, including university and museum collections, to examine the pivotal role of photography in recording and shaping our image-culture across diverse global contexts. The unit will engage with key debates to examine the social, cultural, theoretical, historical and art practice contexts of the photograph as an image and as an object. Key theories from Walter Benjamin to Hito Steyerl will be used to interrogate themes of memory, documentary and the real, witnessing, conflict, gender and sexuality, decolonisation, and the digital.
1x2hr lecture/week, 1x1hr tutorial/week
1x1000wd object analysis (25%), 1x500wd tutorial presentation (25%), 1x3000wd essay/exhibition proposal (50%)
12 credit points at 2000 level in Art HistoryProhibitions