Art historian Dr Ann Elias came across the haunting image of a scallop in an aquarium while researching ocean histories and early 20th century underwater photography. Captured by the camera while opening its valves, the scallop almost appears to be grinning at us. Dr Elias was immediately reminded of the work of artist Odilon Redon, who created hybrid human and non-human creatures in his paintings and drawings. The gaze of the scallop also captured the attentions of philosopher Henri Bergson and University of Sydney marine biologist William John Dakin, who proposed contradictory theories about the similarities of scallop eyes and human eyes. Science, philosophy, art and dreams are all on the table in this deep dive into an underwater lantern slide.
Visit the object record to see more about this lantern slide.
When Dr Paul Donnelly first saw the grieving figures depicted on this trio of white ground lekythoi, he felt an instant human connection. Created in the 5th century BC, these Greek ceramic vessels were intended as a graveside gift for a departed loved one, filled with oil for use in their afterlife. Paul speaks to Dr Craig Barker about these finely crafted vessels and their journey from ancient Athens to the Nicholson Collection in Australia, via World War Two Paris.
Guest: Dr Paul Donnelly, Deputy Director of the Chau Chak Wing Museum and practicing archaeologist.
Dr Craig Barker was an archaeology student when he first encountered the captivating painting of Caterina Cornaro, Queen of Cyprus, in his professor’s office. Venetian born Caterina’s rule began with tragedy in 1474, as she took the throne following the death of her husband King James II and infant son, and it ended with sorrow in 1489 as the last monarch of Cyprus was forced to surrender control of Cyprus to the Venetians.
Visit the object record to read more about the painting.
Top banner: Microphone from the Macleay scientific instruments collection.