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In this Unit of Study students will further develop skills for successful and artistic basso continuo realisation, through application of figured bass principles, improvisation, ornamentation, score reading, harmonic hierarchy and its implications, and general principles of bass line playing in relevant chamber and orchestral repertoire. There is a strong focus on historical and stylistic awareness through research of relevant pedagogical texts, discussion and application.
Code | EMUS1672 |
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Academic unit | Performance |
Credit points | 3 |
Prerequisites:
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EMUS1671 |
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Corequisites:
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None |
Prohibitions:
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None |
Assumed knowledge:
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None |
At the completion of this unit, you should be able to:
This section lists the session, attendance modes and locations the unit is available in. There is a unit outline for each of the unit availabilities, which gives you information about the unit including assessment details and a schedule of weekly activities.
The outline is published 2 weeks before the first day of teaching. You can look at previous outlines for a guide to the details of a unit.
Session | MoA ? | Location | Outline ? |
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Semester 1 2024
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Normal day | Sydney |
View
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Semester 2 2024
|
Normal day | Sydney |
Outline unavailable
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Session | MoA ? | Location | Outline ? |
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Semester 1 2020
|
Normal day | Sydney |
Outline unavailable
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Semester 2 2020
|
Normal day | Sydney |
Outline unavailable
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Semester 1 2021
|
Normal day | Sydney |
Outline unavailable
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Semester 2 2021
|
Normal day | Sydney |
Outline unavailable
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Semester 1 2022
|
Normal day | Sydney |
Outline unavailable
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Semester 1 2023
|
Normal day | Sydney |
Outline unavailable
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Semester 2 2023
|
Normal day | Sydney |
Outline unavailable
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This refers to the Mode of attendance (MoA) for the unit as it appears when you’re selecting your units in Sydney Student. Find more information about modes of attendance on our website.