Skip to main content
Unit of study_

ARHT6957: Art and Crime: Fraud, Fakes and Forgery

Semester 1, 2022 [Normal day] - Remote

Delve into the world of art and crime with this interdisciplinary unit as we study international cases from art heists, theft, fraud, fakes and forgery, to illicit looting and trafficking of cultural objects. Students will explore related issues of authenticity, provenance, Nazi-looted art, restitution of looted or stolen objects, and the repatriation of indigenous art and cultural materials. Students engage with real case studies, art objects from the Chau Chak Wing Museum, local collections, and from experts in the fields of art museums, auction houses, connoisseurship, and law. Designed for art museum professionals, art historians, cultural workers, and those interested in art and law.

Unit details and rules

Unit code ARHT6957
Academic unit Art History
Credit points 6
Prohibitions
? 
None
Prerequisites
? 
None
Corequisites
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Donna Brett, donna.brett@sydney.edu.au
Type Description Weight Due Length
Assignment Case Study
Case Study Object Report
25% Week 06
Due date: 01 Apr 2022 at 23:59
1500wd
Outcomes assessed: LO1 LO2
Assignment Research Project
Research Project
50% Week 11
Due date: 20 May 2022 at 23:59
3500wd
Outcomes assessed: LO1 LO2 LO3
Presentation group assignment Group Seminar presentation
Seminar presentation
25% Week 13 1000wd equiv
Outcomes assessed: LO1 LO3 LO2
group assignment = group assignment ?

Assessment summary

to be completed by coordinator

Assessment criteria

Art History Grade Descriptors  

This guide indicates broadly the qualitative judgements implied by the various grades which may be awarded. A more precise evaluation of the strengths and weaknesses of individual essays will be provided in examiners’ comments. Evaluation is made with due consideration of the different standards likely to be achieved by students in junior and senior intermediate (2nd year) and advanced (3rd year) units.

85%+ (High Distinction)

Work of exceptional standard.

  • Work demonstrates initiative and originality in research, analysis and argumentation;
  • presents innovative, insightful interpretations of specific works of art, architecture, film and/or other media, which are used throughout to demonstrate points being made;
  • effectively integrates visual analysis and critical engagement with scholarly debates to develop a rich and thorough analysis of its object(s) of study; 
  • indicates awareness of complexities and qualifications in argumentation;
  • demonstrates careful thought about the critical, historical and/or theoretical context;
  • provides evidence of wide-ranging reading;
  • is properly referenced and well-presented;
  • writing is clear, fluent, and persuasive.

A High Distinction is distinguished from a Distinction by the depth and sophistication of visual analysis deployed, and by the evidence of independent, critical thinking. Work which is awarded a mark of over 90% in senior level units of study will often contain some publishable or potentially publishable elements.

75-84% (Distinction)

Work of a superior standard.

  • Work demonstrates an intelligent understanding of, and individual engagement with, material;
  • visual analysis is well developed and harnessed to the argument, with thoughtful, detailed visual exposition of specific works used to demonstrate points;
  • addresses an issue and presents a well-argued, coherent case;
  • demonstrates careful thought about the critical, historical and/or theoretical context;
  • demonstrates an independent and critical attitude to readings;
  • written work is properly referenced and well presented, with a clear structure and coherent overall argument;
  • writing is characterized by individuality, clarity, and independent insight.

A Distinction is distinguished from a High Credit chiefly by the quality of its analysis of the works of art under discussion, and by its level of critical understanding and intellectual enquiry.

70-74% (High Credit)

Highly competent work, demonstrating clear capacity to complete Honours successfully. This level of work is considered “above average”.

  • Work provides evidence of independent reading and thinking about relevant works of art and their contexts;
  • demonstrates capacity to undertake close analysis of works of art and develop with c independent observations;
  • demonstrates a sound grasp of subject matter and a good appreciation of key issues and contexts  
  • shows understanding of relevant critical and theoretical considerations and of the conceptual issues raised;
  • avoids summary;
  • indicates an intelligent attempt at a critical or theoretical argument;
  • is clearly and effectively written;
  • is well-referenced.

A High Credit is distinguished from a Low Credit chiefly by the extent of independent analysis of works of art, and by some obvious attempt to interpret the outcome of close analysis.

65-69% (Low Credit)

Very competent work though not necessarily of the standard to complete Honours.

  • The work shows some understanding of relevant critical and theoretical considerations and of the conceptual issues raised by a unit of study;
  • demonstrates some independent reading and thinking about key works of art and their contexts;
  • uses close critical analysis;
  • avoids summary;
  • attempts a critical or theoretical argument;
  • is clearly and effectively written;
  • is adequately referenced.

A Low Credit is distinguished from a High Pass by the degree of independent discussion of works of art, the clarity of the writing and the extent to which it attempts a more general critical and/or theoretical argument.

58-64% (High Pass)

Work of a good, satisfactory standard.

  • Work demonstrates a broad and reasonably accurate command of the subject matter and some sense of its broader significance;
  • demonstrates a genuine attempt at independent reading and thinking about works of art
  • generally avoids summary, paraphrase or unsubstantiated assertion;
  • arguments may contain some oversimplification or superficiality;
  • may sometimes present quotation for illustrative purposes merely, but does also present the outcome of some critical analysis;
  • is adequately expressed;
  • is adequately referenced.

50-57% (Pass)

Work of an acceptable standard.

  • Work provides evidence of having read and thought about relevant works of art and issues;
  • attempts a coherent argument though there may be ellipses in argumentation;
  • discussion of works of art tends towards description rather than analysis;
  • insufficient preparation for a visual test may be indicated by missed or incorrect identifications, lack of familiarity with periods, styles, key critical issues
  • may paraphrase fairly extensively;
  • tends to use quotation for illustrative purposes only;
  • may tend towards generality in answering a question;
  • may present simplistic comment or unsubstantiated assertions;
  • is adequately expressed though there may be some weaknesses in this area;
  • may contain some referencing errors.

Below 50% (Fail)

Work not of an acceptable standard.

Work may fail for any of the following reasons:

  • little or no analysis of works of art; in a visual test, an inability to correctly identify works, periods and styles; serious mistakes in identification, indicating lack of understanding of the material taught;
  • minimal research;
  • irrelevance of content;
  • unacceptable levels of paraphrasing;
  • excessive use of quotation for illustrative purposes only, without any attempt at analysis;
  • excessive level of generality in answering a question;
  • sloppy, inconsistent presentation;
  • inappropriate or obscure expression;
  • incoherent general structure;
  • inadequate referencing;
  • late submission of work without extension.

 

                                   

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website  provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.  

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 The World of Art Crime: An Introduction Seminar (2 hr) LO1 LO2
Week 02 Art Theft: from Mona Lisa to Van Gogh Seminar (2 hr) LO1 LO2
Week 03 Art Heists: Case Studies and Recovery Seminar (2 hr) LO2
Week 04 Hitler’s Museum & Nazi-Looted Art Seminar (2 hr) LO1 LO2
Week 05 Tomb Raiders and Looting Seminar (2 hr) LO1 LO2
Week 06 Fake, Fake, Fake: Fraud and Forgery Seminar (2 hr) LO1 LO2
Week 07 Chau Chak Wing Museum Site Visit Seminar (2 hr) LO1 LO2
Week 08 The Art Market, Art Museums & Organised Crime Seminar (2 hr) LO1 LO2
Week 09 Art Vandalism: Armed Conflict and Bad Behaviour Seminar (2 hr) LO1 LO2
Week 10 Indigenous Art, Crime & Repatriation Seminar (2 hr) LO1 LO2 LO3
Week 11 Provenance Research Seminar (2 hr) LO2 LO3
Week 12 Restitution & Repatriation Seminar (2 hr) LO2 LO3
Presentations Seminar (2 hr) LO1 LO2 LO3

Attendance and class requirements

Attendance and participation is essential either on campus or remote.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

See Canvas site.

Key books:

Bazley, Tom, Crimes of the Art World. New York: Praeger, 2010.

Chappell, Duncan and Saskia Hufnagel, eds., Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime. Farnam, Surrey: Ashgate, 2014.

Jackson, Penelope, Art Thieves, Fakers and Fraudsters. The New Zealand Story. Wellington: Awa Press, 2016.

Manacorda, Stefano and Duncan Chappell, eds., Crime in the Art and Antiquities World: Illegal Trafficking in Cultural Property. New York: Springer, 2011.

Nicholas, Lynn, The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War. New York: Vintage Books, 1995.

Tompkins, Arthur, Plundering Beauty. A History of Art Crime During War. London: Lund, 2018.

Bell, Leonard. "The Colonial Paintings of Charles Frederick Goldie in the 1990's: The Postcolonial Goldie and the Rewriting of History," Cultural Studies 9, no.1 (1995): Accessed May 5, 2014.

Binney, Judith Encircled Lands: Te Urewera 1820-1921. New Zealand: Bridget Williams Books Limited, 2009.

Charney, Noah. Stealing the Mystic Lamb: The True Story of The Worlds Most  Coveted Masterpiece. United States: Public Affairs, 2010.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Evaluate and analyse a broad range of art crimes in art historical, curatorial and cultural contexts.
  • LO2. Understand legal and cultural frameworks for the identification and prevention of art crime in art museums, art markets, and cultural institutions.
  • LO3. Identify methods and processes for the restitution and repatriation of art and cultural objects.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

This unit is being offered for the first time

Site visit guidelines

This unit includes site visits which will accommodate remote students.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.