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Unit of study_

ENGL2661: Camelot: Text Stage Screen

Semester 1, 2020 [Normal day] - Camperdown/Darlington, Sydney

From Geoffrey of Monmouth's Caerleon to the Kennedy White House, Camelot represents the glittering apogee of chivalry and courtliness. Or does it? Students will consider the legend's political and cultural transformations from medieval texts to musical, film, graphic novel and fantasy adaptations.

Unit details and rules

Unit code ENGL2661
Academic unit
Credit points 6
Prohibitions
? 
None
Prerequisites
? 
12 credit points at 1000 level in English
Corequisites
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Emma Knowles, emma.knowles@sydney.edu.au
Lecturer(s) Bruce Gardiner, bruce.gardiner@sydney.edu.au
Type Description Weight Due Length
Presentation Tutorial presentation
Presentation
10% - 3 minute presentation
Outcomes assessed: LO1 LO5 LO3 LO2
Assignment Essay Two
Research Essay
50% Formal exam period
Due date: 14 Jun 2020 at 23:59
2500wd
Outcomes assessed: LO1 LO2 LO3 LO4 LO5
Assignment Blog Posts
3x Blog Posts written for 3 of the 5 course modules
15% Multiple weeks 160wd x 3
Outcomes assessed: LO1 LO2 LO3 LO5
Assignment Essay One
Close Reading Essay
20% Week 06
Due date: 03 Apr 2020 at 23:59
1000wd
Outcomes assessed: LO1 LO5 LO4 LO3 LO2
Participation Class participation
Participation
5% Weekly On-going weekly
Outcomes assessed: LO1 LO5 LO2

Assessment summary

More detailed information for each assessment can be found on Canvas.

Class Participation: Requires consistent participation in weekly online tutorial discussions

Tutorial Presentation: A 3 minute presentation on the tutorial topic for that week o be submitted via video (more information below). If internet access an issue, via alternative discussion board task.

Essay One: Close reading essay task on Sir Gawain and the Green Knight

Essay Two: Longer research essay requiring you to write on one core text that we’ve studied in class and one of your own choosing.

Blog Posts: Short 160wd entries that are both handed in through canvas and posted to the discussion board (more information below)

Please note the following important points about blog posts and presentations:

There are five key modules in this course. You must write a blog post for three of these modules and submit a video presentation on a different module. If you wish you may hand in 4 blog posts (on the 4 modules on which you did not present) and your highest three marks will count.

 The modules are Sir Gawain and the Green Knight (weeks 2-3), Malory's Morte D'arthur (weeks 4-6), Arthur and Fantasy Literature (weeks 7-8), The Tristan Legend (weeks 9-11) and Arthurian Film (weeks 12-13).

You MUST write THREE blog posts from a possible FIVE topics. One other topic MUST be covered by your video presentation. There will be an opportunity to sign up for a tutorial presentation slot in the first week of class so you will know which of the modules remain for you to write a blog post on.

Blog post due dates are as follows:

Gawain and the Green Knight: Friday 13th March 11:59pm

Malory's Morte D'arthur: Friday 10th April 11:59pm (this is in the mid-semester break but gives you an extra week after handing in your essays, you may hand the post in early if you wish)

Arthur and Fantasy: Friday 24th April 11:59pm

The Tristan Legend: Friday 15th May 11:59pm

Arthurian Film: Friday 29th May 11:59pm

 

Please note that each assessment must be attempted in order to pass the course.

Assessment criteria

The University awards common result grades, set out in the Coursework Policy 2014 (Schedule 1).

As a general guide, a High distinction indicates work of an exceptional standard, a Distinction a very high standard, a credit a good standard, and a pass an acceptable standard.

The grading information below comes from the English Faculty “Interpretation of Grades” guidelines

Result name

Mark range

Description

High distinction

85 - 100

  • The work demonstrates a deep and intelligent understanding of, and individual engagement with material;
  • presents a very close analysis of focal texts or issues;
  • addresses a specific issue and develops an independent critical or theoretical argument successfully;
  • indicates awareness of complexities and qualifications in argumentation;
  • demonstrates careful thought about the critical, historical and/or theoretical context of the texts or issues;
  • provides evidence of wide-ranging reading;
  • is properly referenced and well-presented.

The writing is characterized by creativity, clarity, and independent insight. A High Distinction is distinguished from a Distinction by the work’s demonstration of awareness of subtleties, nuances, qualifications and a possible other case. Work which is awarded a mark of over 90% in Senior level units of study will often contain some publishable or potentially publishable elements.

Distinction

75 - 84

  • The work demonstrates an intelligent understanding of, and individual engagement with material;
  • analyzes focal texts or issues appositely;
  • addresses an issue and presents a well-argued, coherent case;
  • demonstrates careful thought about the critical, historical and/or theoretical context of the texts or issues;
  • provides evidence of reading beyond what is strictly required for the task;
  • is properly referenced and well presented.

The writing is characterized by individuality, clarity, and independent insight. A Distinction is distinguished from a High Credit chiefly by the quality of theoretical understanding and the range of intellectual enquiry it demonstrates.

High Credit

70 - 74

  • The work provides evidence of independent reading and thinking about focal texts or issues and their contexts;
  • shows some clear understanding of relevant critical and theoretical considerations and of the conceptual issues raised by a unit of study;
  • uses close critical analysis;
  • avoids summary;
  • indicates an intelligent attempt at a critical or theoretical argument;
  • is clearly and effectively written;
  • is well-referenced.

A High Credit is distinguished from a Low Credit chiefly by the extent of independent discussion of focal texts or issues, and by some obvious attempt to interpret the outcome of close analysis.

Low Credit 65 – 69
  • The work shows some understanding of relevant critical and theoretical considerations and of the conceptual issues raised by a unit of study;
  • demonstrates some independent reading and thinking about focal texts or issues and their contexts;
  • uses close critical analysis;
  • avoids summary;
  • attempts a critical or theoretical argument;
  • is clearly and effectively written;
  • is adequately referenced.

A Low Credit is distinguished from a High Pass by the extent of independent discussion of focal texts or issues, the clarity of the writing and the extent to which it attempts a more general critical and/or theoretical argument.

Pass

50 - 64

High Pass: (58-64)

  • The work gives some evidence of ability to attempt an independent argument and to structure material coherently;
  • demonstrates a genuine attempt at independent reading and thinking about focal texts or issues though the essay may contain some oversimplification or superficiality;
  • generally avoids summary, paraphrase or unsubstantiated assertion;
  • may sometimes present quotation for illustrative purposes merely, but does also present the outcome of some critical analysis;
  • is adequately expressed;
  • is adequately referenced.

Pass: (50-57)

  • The work provides clear evidence of having read and thought about focal texts or issues;
  • attempts a coherent argument though there may be ellipses in argumentation;
  • uses some close critical analysis;
  • may paraphrase fairly extensively;
  • tends to use quotation for illustrative purposes only;
  • may tend towards generality in answering a question;
  • may present simplistic comment or unsubstantiated assertions;
  • is adequately expressed though there may be some weaknesses in this area;
  • may contain some referencing errors.

Fail

0 - 49

Work may fail for any of the following reasons:

  • no evidence of having read the prescribed material closely;
  • sloppy, inconsistent presentation;
  • preponderance of paraphrase, mere plot summary or listing of superficial characteristics;
  • excessive use of quotation for illustrative purposes only, without any attempt at analysis;
  • excessive level of generality in answering a question;
  • inappropriate or obscure expression;
  • incoherent general structure;
  • inadequate referencing;
  • late submission of work without extension.

For more information see sydney.edu.au/students/guide-to-grades

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website  provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.  

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 Online lecture, released Monday (ON). Introduction to the Arthurian Story; In-Person (I-P). Introduction and Geoffrey of Monmouth (EK) Lecture (2 hr)  
Week 02 ON. Introduction to Sir Gawain and the Green Knight (SGGK); I-P. SGGK: Identity and Knighthood (EK) Lecture (2 hr)  
SGGK: Chivalry and Knighthood Tutorial (1 hr)  
Week 03 ON. SGGK: Sexuality and Desire; I-P. SGGK: Seduction and the Hunt (EK) Lecture (2 hr)  
SGGK: The Game of Winnings Tutorial (1 hr)  
Week 04 ON. Introduction to Malory's Le Morte Darthur; I-P. Malory: Establishing Arthur's Kingdom (EK) Lecture (2 hr)  
Malory: King Arthur's Wedding Tutorial (1 hr)  
Week 05 ON. Malory: Gender and the Chivalric Community; I-P. Malory: Gender and Magic (EK) Lecture (2 hr)  
Malory: Women in the Morte Tutorial (1 hr)  
Week 06 ON. Malory: Chivalric Tensions; I-P. Malory: The Fall of Camelot (EK) Lecture (2 hr)  
Malory: The Fall of Camelot Tutorial (1 hr)  
Week 07 ON. Introduction to Arthur and Fantasy Literature; I-P. Feminizing Power in The Mists of Avalon (EK) (alternative lecture available online) Lecture (2 hr)  
Arthur and Fantasy: Women and Magic Tutorial (1 hr)  
Week 08 ON. Place and Identity in Arthurian Fantasy; I-P. Representations of Lancelot in Arthurian Fantasy (EK) Lecture (2 hr)  
Lancelot in Arthurian Fantasy Tutorial (1 hr)  
Week 09 ON. The Tristan Legend: Evolution and Transmission; I-P. Tristan: Malory (BG) Lecture (2 hr)  
Tristan: Malory's Palomides Tutorial (1 hr)  
Week 10 ON. Tristan: Picturing the Tristan Story; I-P. Tristan: Matthew Arnold’s Tristram and Iseult (BG) Lecture (2 hr)  
Tristan in the 19th Century Tutorial (1 hr)  
Week 11 ON. Tristan: Stage and Screen; I-P. Tristan: Castle D’Or (BG) Lecture (2 hr)  
Modern Takes on Tristan Tutorial (1 hr)  
Week 12 ON. Arthur and Hollywood; I-P. King Arthur (2004) (EK) Lecture (2 hr)  
The 'Historical' Arthur Tutorial (1 hr)  
Week 13 ON. Arthur and Politics; I-P. Monty Python and the Holy Grail and Conclusion (EK) Lecture (2 hr)  
Monty Python on Stage and Screen and Conclusion Tutorial (1 hr)  

Attendance and class requirements

  • Attendance: according to Faculty Board Resolutions, students in the Faculty of Arts and Social Sciences are expected to attend 90% of their classes. If you attend less than 50% of classes, regardless of the reasons, you may be referred to the Examiner’s Board. The Examiner’s Board will decide whether you should pass or fail the unit of study if your attendance falls below this threshold.
  • Lecture recording: most lectures (in recording-equipped venues) will be recorded and may be made available to students on the LMS. However, you should not rely on lecture recording to substitute your classroom learning experience.
  • Preparation: students should commit to spend approximately three hours’ preparation time (reading, studying, homework, essays, etc.) for every hour of scheduled instruction.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

See the weekly reading lists available on Canvas for more specific information about lecture and tutorial readings. Readings for this unit can be accessed through the library eReserve, available on Canvas.

 

Key texts:

  • Weeks 2-3: Sir Gawain and the Green Knight (available via ereserve and Gleebooks).
  • Weeks 4-6: Sir Thomas Malory, Le Morte Darthur (New York, London: W. W. Norton & Co., 2004). Full text: Reserve, Gleebooks. Excerpts: eReserve. An attempt should be made to read Books 1 and 8 which our lectures will focus on.
  • Weeks 7-8: Marion Zimmer Bradley, The Mists of Avalon, any edition: Reserve, Gleebooks. Excerpts: eReserve. We will focus on Book 1, with selections from later sections of the text. An attempt should be made to read the whole book.
    • Please note that due to serious problems with Marion Zimmer Bradley as a person you may opt to study a different text for this module with an alternative lecture online. This is TBC, but will most likely be either Fay Sampson, Herself (Holicong, PA: Cosmos Books, 2005 or any available edition) or Mary Stewart, The Last Enchantment (any available edition). See Canvas for final confirmation on this point. Excerpts of whichever alternative text is chosen will be on eReserve.
  • Weeks 9-11:
    • We will use Malory’s Le Morte Darthur again, excerpts available via eReserve.
    • Castle Dor by Daphne Du Murier. Full version: Reserve, Gleebooks.  Excerpts: ereserve. Please make an effort to read the whole book
  • Weeks 12-13: The films we study these weeks will be screened in weeks 11 and 12 . See Canvas for more film screening details.

Readings labelled with eReserve are available through the eReserve link on the ENGL2661 Canvas site. Those labelled Reserve are available in a physical form in the 2-hour loan section of the University of Sydney Library.

Readings labelled with Gleebooks are available from Gleebooks, a bookshop at 49 Glebe Point Rd (Gleebooks). Students who would like physical copies of the longer readings can purchase these from Gleebooks. Please note: Gleebooks have ordered copies of texts specifically for this unit, and they offer a 10% student discount.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Demonstrate an understanding of the Arthurian legend in medieval literature and its later transformations in a range of genres and across different media
  • LO2. Critically reflect upon the relationship between Arthurian literatures and the socio-cultural, historical and political contexts of production and reception
  • LO3. Use a complex intellectual domain to criticize familiar contexts and assumptions
  • LO4. Locate, assess and implement a diversity of critical resources and theoretical approaches
  • LO5. Communicate arguments and ideas effectively and articulately in a range of different genres and media

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

This is the second time this unit will be running after being extensively revised in 2019. Following student feedback last semester we have added more emphasis on films to the unit as well as offering an alternative to Marion Zimmer Bradley's The Mists of Avalon novel. Online lectures this semester will also include more content following feedback from last semester.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.