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How might a film be associated with a national identity? What does it mean to go beyond this identity and discuss a film from a transnational perspective? How does either a national or transnational approach to a film affect our understanding of film culture and aesthetics more generally? This unit is not an introduction to global cinemas; rather, it addresses core methods and issues of Film Studies from the perspective of transnational and transcultural exchanges. Particular focus will be on how distinct cultural and geopolitical conditions allow us to rethink such heuristic frameworks as film genre, auteur, and translation/adaptation.
Code | FILM3004 |
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Academic unit | Film Studies |
Credit points | 6 |
Prerequisites:
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12 credit points at 2000 level in FILM |
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Corequisites:
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None |
Prohibitions:
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None |
Assumed knowledge:
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None |
At the completion of this unit, you should be able to:
This section lists the session, attendance modes and locations the unit is available in. There is a unit outline for each of the unit availabilities, which gives you information about the unit including assessment details and a schedule of weekly activities.
The outline is published 2 weeks before the first day of teaching. You can look at previous outlines for a guide to the details of a unit.
Session | MoA ? | Location | Outline ? |
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Semester 2 2024
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Normal day | Camperdown/Darlington, Sydney |
Outline unavailable
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This refers to the Mode of attendance (MoA) for the unit as it appears when you’re selecting your units in Sydney Student. Find more information about modes of attendance on our website.