Many scholars take Andre Bazin's four-volume work--Qu'est-ce que le cinema?--as the moment of inauguration for the critical project of film studies. Echoing Bazin's famous question, this seminar investigates what it means to take cinema as a scholarly object. Covering materials from early cinema to post-cinema, this seminar is organised around a series of mutually informing concepts that have structured film studies scholarship: disciplinarity, temporality, realism, indexicality, sound, spectatorship and digitality.
Unit details and rules
| Academic unit | Art History |
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| Credit points | 6 |
| Prerequisites
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None |
| Corequisites
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None |
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Prohibitions
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None |
| Assumed knowledge
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None |
| Available to study abroad and exchange students | Yes |
Teaching staff
| Coordinator | Bruce Isaacs, bruce.isaacs@sydney.edu.au |
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