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Opera has a unique capacity to capture the imagination by grappling with enduring cultural and social concerns. This graduate seminar examines opera's engagement with themes including politics, history, myth, sexuality, national identity, popular culture, film, otherness, social class and power, religion, and the supernatural. Selected operas engaging with these themes will form the basis of each weekly session. Students can then choose to focus on a selected area, or choose to offer a broader perspective for assessment.
Code | MCGY5602 |
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Academic unit | Musicology |
Credit points | 6 |
Prerequisites:
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None |
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Corequisites:
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None |
Prohibitions:
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None |
At the completion of this unit, you should be able to:
Unit outlines will be available 1 week before the first day of teaching for the relevant session.
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