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Unit of study_

PRFM1601: Making Theatre: The work of the director

Semester 1, 2022 [Normal day] - Camperdown/Darlington, Sydney

What is involved in creating a work of theatre? This unit introduces students to the craft of directing theatre, both through a study of the historical emergence of the director and the practices involved, and participation in practical workshops in which key skills, involving creative leadership and collaboration, are developed and put to work. Students will then reflect upon this work, applying theoretical and methodological approaches in theatre and performance studies, including embodiment theory, ethnography, and dramaturgy. No theatre-making experience is required.

Unit details and rules

Unit code PRFM1601
Academic unit Theatre and Performance Studies
Credit points 6
Prohibitions
? 
None
Prerequisites
? 
None
Corequisites
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Glen McGillivray, glen.mcgillivray@sydney.edu.au
Type Description Weight Due Length
Assignment Analysis of rehearsal process
See Canvas site
25% Formal exam period
Due date: 06 Jun 2022 at 23:59
1000 words
Outcomes assessed: LO3 LO4
Assignment Workshop description
See Canvas site
25% Week 06
Due date: 01 Apr 2022 at 23:59
1000 words
Outcomes assessed: LO2
Assignment Short essay: Preparing a scene
See Canvas site
25% Week 08
Due date: 14 Apr 2022 at 23:59
1000 words
Outcomes assessed: LO1
Assignment group assignment Promptbook
See Canvas site
25% Week 13
Due date: 27 May 2022 at 17:00
1000 words per student
Outcomes assessed: LO1 LO3 LO5
group assignment = group assignment ?

Assessment summary

Detailed information for each assessment can be found on Canvas.

Assessment criteria

The University awards common result grades, set out in the Coursework Policy 2014 (Schedule 1).

As a general guide, a High distinction indicates work of an exceptional standard, a Distinction a very high standard, a credit a good standard, and a pass an acceptable standard.

Result name

Mark range

Description

High distinction

85 - 100

Please see rubric on Canvas site

Distinction

75 - 84

Please see rubric on Canvas site

Credit

65 - 74

Please see rubric on Canvas site

Pass

50 - 64

Please see rubric on Canvas site

Fail

0 - 49

When you don’t meet the learning outcomes of the unit to a satisfactory standard.

For more information see sydney.edu.au/students/guide-to-grades

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website  provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.  

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 Introduction and Welcome Acknowledgement of Country. What to expect at University. The Department of Theatre and Performance Studies: Teachers, key approaches. This unit of study Lecture (1 hr) LO1
Introductory workshop: Welcome to University; setting up expectations. Workshop (2 hr) LO2
Week 02 The role of the director: Brief history What a director does Lecture (1 hr) LO1
Workshop 1 Workshop (2 hr) LO2
Week 03 The work of a director: —observation —representation —negotiation —decision-making —style/genre Lecture (1 hr) LO1
Workshop 2 Workshop (2 hr) LO2
Week 04 Embodiment and experience: Embodiment is fundamental to theatre and performance. Performers embody action; spectators engage as embodied members of an audience. How might we explore this? Lecture (1 hr) LO2 LO4
Workshop 3 Workshop (2 hr) LO2
Week 05 Bertolt Brecht: his life and times. Introducing one of the key figures in western theatre history and practice Lecture (1 hr) LO1
Workshop 4 Workshop (2 hr) LO1 LO2
Week 06 The Marxist critique of culture. How might theatre—or any artform—operate politically? How might theatre have an influence on the world beyond its immediate aesthetic context? This lecture sets the scene for Brecht's radical dramaturgy. Lecture (1 hr) LO1
Workshop 5 Workshop (2 hr) LO1 LO2
Week 07 Brechtian Dramaturgy: the critique of Aristotle; Gestus Lecture (1 hr) LO1
Workshop 6 Reading Brecht; forming groups Workshop (2 hr) LO1 LO3
Week 08 Key ideas and practices in Brecht's dramaturgy and aesthetics. An introduction to the key features of Brecht's work, including the Verfremdungseffekt. Lecture (1 hr) LO1
Workshop 7 Group work Workshop (2 hr) LO3
Week 09 The Lehrstucke: rehearsal as radical pedagogy Lecture (1 hr) LO1
Week 10 Analysing rehearsal. Rehearsal is generally a 'hidden realm': but what actually is involved in creating a work of theatre or performance? How might such processes be studied? How are they generally learnt? Lecture (1 hr) LO4
Workshop 8 Group work Workshop (2 hr) LO3
Week 11 Brecht in rehearsal. How did Brecht go about creating his work and realising his theoretical, political, and aesthetic aspirations? Lecture (1 hr) LO1
Workshop 9 Group Work Workshop (2 hr) LO3
Week 12 Documenting Performance. What traces do performances leave beyond the texts created by playwrights. How do performances themselves endure? Lecture (1 hr) LO4 LO5
Workshop 10 Creating documentation Workshop (2 hr) LO4 LO5
Week 13 After Brecht. What is Brecht's legacy to contemporary performance? We will consider in particular to Heiner Muller, as well as more generally about his contributions to modern theatre. Lecture (1 hr) LO1
Workshop 11 Reading Heiner Muller Finalising documentation Workshop (2 hr) LO1 LO5

Attendance and class requirements

  • Attendance: According to Faculty Board Resolutions, students in the Faculty of Arts and Social Sciences are expected to attend 90% of their classes. If you attend less than 50% of classes, regardless of the reasons, you may be referred to the Examiner’s Board. The Examiner’s Board will decide whether you should pass or fail the unit of study if your attendance falls below this threshold.
  • Lecture recording: Most lectures (in recording-equipped venues) will be recorded and may be made available to students on the LMS. However, you should not rely on lecture recording to substitute your classroom learning experience.
  • Preparation: Students should commit to spend approximately three hours’ preparation time (reading, studying, homework, essays, etc.) for every hour of scheduled instruction.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

Details of readings are on the unit Canvas site

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. offer an account of the context, intentions and innovations of Brechtian theatre, as well as the taking up of those innovations in Boalian Forum Theatre and Heiner Muller’s post-dramatic theatre
  • LO2. offer a contextualised analysis of a workshop exercise
  • LO3. make collective decisions about mounting a performance
  • LO4. describe the process of making and offer a rationale for those decisions
  • LO5. document the performance upon which you worked.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

The unit has been modified to frame the work on Brecht within a more general set of questions about the process of directing theatre and performance work.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.