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Resonant Earth: Music, ecology and climate justice

Interdisciplinary inquiry at the intersection of sound, nature and justice
  • https://www.sydney.edu.au/music/our-research.html Explore our research
  • mailto:music-ecology@sydney.edu.au Contact us

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How can we communicate climate justice in an age of information excess?
As ecological crises intensify, our responses remain constrained by a persistent philosophical divide: the separation of human agency from the agency of the non-human world.

This ARC Laureate Program challenges that divide—positioning music as a transformative medium to reimagine environmental justice and advance the global Rights of Nature movement.

About us

Our research group investigates how music and the arts can serve as vital conduits for environmental justice. Through arts-led methodologies, we engage with complex social and ecological challenges, advancing cultural and environmental sustainability with creativity, care, and critical inquiry.

We celebrate sentient life in all its forms—recognizing beauty, resilience, and vulnerability across diverse contexts. Our multi-modal research spans music-science collaborations, Indigenous knowledge systems, social activism, and interdisciplinary performance.

Working with communities across Australia and beyond, we connect local voices to global networks in pursuit of a more just and sustainable future.

Research themes

Developing new artistic practices that reimagine and deepen relationships between human and non-human worlds.

Supporting the continuity and vitality of Indigenous ecological knowledge through collaborative, culturally grounded research.

Investigating the theory and practice of socially engaged arts as catalysts for environmental and cultural justice.

Exploring how musical expression can articulate, support, and advocate for justice across species boundaries.

From left to right: Kate Milligan, Jaquelyn Pyke, Vic McEwan, Nardi Simpson, Brenda Gifford and Liza Lim

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Our events

Explore our program of upcoming and past events

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Resonant Ecologies Seminar Series

Co-curated by Liza Lim (Sydney) & Nicolas Donin (Geneva)

Join us in exploring more-than-human creativity—including AI, animal communication, and the expressive agencies of trees, waters, winds, and other non-human entities.

This series invites participants to listen deeply, think relationally, and engage with music as a medium of ecological consciousness and cultural responsibility.

Upcoming events

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Net Zero talks at Sydney Conservatorium of Music

A research and knowledge-sharing series at the Sydney Conservatorium of Music that is focussed on the connections between music, environment, climate change and the move to net zero.

Through a series of themed talks and panels, invited guests will share their perspectives, innovations and insights on different ways that music and musicians can play a role in deepening our understanding of our environment and mitigating our climate crisis.

We welcome an audience ranging from those deeply engaged in environmental dimensions of music, to people wanting to better understand how music can affect our changing climate.

Upcoming events

Sounding Out Sustainability – Towards Net Zero 

Date: Thursday, 30 October 2025 

Time: 1:00–2:30pm 

Location: Room 1156, Sydney Conservatorium of Music 

Cost: Free – Registration essential 

 

Click here to register and join the mailing list

Speakers

Berish Bilander – CEO, Green Music Australia

  • Max Glanville – Manager of Production, R&D, and Product Development, Glanville & Co

  • Host: Joe Muller – Managing Director, MusicNSW

What to Expect

How can the music sector take meaningful action on climate change? Berish Bilander will talk us through how artists, venues, and festivals are coming together to share knowledge, drive change, and inspire action. From peer-to-peer learning through workshops and retreats, to data-led insights using carbon management tools, to practical resources and Green Venue Certification, the conversation will unpack what it takes to embed sustainability across Australia’s music industry — and how music can lead the way in shaping a greener future.

Max Glanville will discuss how his team applies lean principles to reduce waste across eight key areas ranging from overproduction to underutilised employee skills while keeping sustainability and the customer experience at the heart of their process. At Glanville & Co, instruments are made using a blend of traditional craftsmanship and modern manufacturing methods, with a focus on sourcing sustainable materials wherever possible. Using the violin as a case study, Max will explore how sustainability extends beyond material choice to encompass the entire production process where the greatest opportunities to reduce waste and drive meaningful change often lie. The violin, an instrument largely unchanged for centuries, offers a useful lens through which to examine the balance between performance, tradition, and sustainability. Through this discussion, Max will highlight how innovation and continuous improvement are beginning to reshape even the most traditional industries, touching on topics such as waste reduction, material sourcing, future challenges, emerging opportunities, and the importance of empowering people to lead sustainable transformation.

The presentations will be followed by a discussion chaired by Joe Muller, and questions from the audience.

This session is curated by Catherine Ingram, with generous support from the ARC Laureate Fellowship Project Multispecies Creativity and Climate Communication.

Past events

The Sydney Conservatorium of Music held the first session of a new research and knowledge-sharing series exploring the role of music in responding to climate change.

Nardi Simpson (Yuwaalaraay storyteller) and Tracey Cameron (Gamilaraay language educator) led a one-hour yarn that modelled First Nations approaches to deep listening, relationality and knowledge exchange. They highlighted how languages, music and Country can shape sustainable cultural and academic practices.

The discussion closed with questions led by Professor Anna Reid, Dean of the Conservatorium. The event was supported by the ARC Laureate Fellowship Project Multispecies Creativity and Climate Communication.

This program of research is funded by the Australian Government through the ARC Laureate Fellowship: Multispecies Creativity and Climate Communication. The views expressed herein are those of the authors and are not necessarily those of the Australian Government or the ARC.

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Image credit: Murray Darling River during the "Millenium" drought from a commercial flight taken by Michael Storer

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