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Unit of study_

EDMT5701: Music Curriculum 1 Ext

Semester 1, 2024 [Normal day] - Camperdown/Darlington, Sydney

This Unit of Study gives postgraduate students access to the breadth and depth of specialist music education fields that are offered in the longer undergraduate degree, allowing them to develop a music education specialist area. Students enrolling in this Unit of Study may choose one 3CP undergraduate specialist UoS that is running concurrently, such as MUED4603 Aboriginal and Torres Strait Island Music, MUED4006 Popular Music Studies, MUED1004 Non-western Music (Gamelan), or VSAO5022 Principles of Studio Pedagogy. These Units of Study allow students to access specialist knowledge and fields at the Sydney Conservatorium that would be otherwise unavailable to them.

Unit details and rules

Unit code EDMT5701
Academic unit Education
Credit points 6
Prohibitions
? 
None
Prerequisites
? 
None
Corequisites
? 
EDMT5700 Music Curriculum 1
Assumed knowledge
? 

None

Available to study abroad and exchange students

No

Teaching staff

Coordinator James Humberstone, james.humberstone@sydney.edu.au
Lecturer(s) James Humberstone, james.humberstone@sydney.edu.au
Type Description Weight Due Length
Assignment Specialist Teaching Area UoS Assessment
Complete all assessments in the embedded UoS. See its Canvas site.
50% Formal exam period
Due date: 14 Jun 2024 at 23:59

Closing date: 14 Jun 2024
2250 words equivalent maximum
Outcomes assessed: LO1 LO5
Assignment Technology-infused project
On your blog, present your reflections on UoS and your tech-infused project
50% Formal exam period
Due date: 14 Jun 2024 at 23:59

Closing date: 28 Jun 2024
2250 words equivalent maximum
Outcomes assessed: LO1 LO2 LO3 LO4 LO5

Assessment summary

Please see the Canvas site for details about each assessment task and a detailed marking rubric.

Assessment criteria

Please see Canvas for detailed marking rubrics

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website  provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.  

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy 2023 reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy 2023. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week -01 Set up your blog. See instructions on Canvas and set up your blog ready for the first lecture. Independent study (1 hr) LO5
Week -02 Choose your specialist area UoS via the information and links on the Canvas site. Independent study (1 hr) LO1
Week 01 (i) Specialist teaching area week 1 (see range of UoS available for weekly content and outcomes) Block teaching (2 hr) LO1
(ii) Three projects in this component of the UoS are drawn from Kuhn & Hein (2021) "Electronic Music School". In this first session, participants role play high school students undertaking the "Arranging Clips" project in Ableton Live software. Block teaching (1 hr) LO2 LO3
Week 02 (i) Specialist teaching area week 2 Block teaching (2 hr) LO1 LO4
(ii) The "Arranging clips" project example, part 2. Following role play, participants flip into the roles of teachers, and follow Kuhn & Hein's (2021) Assessment protocols. Project outputs (i.e. music) are shared. Block teaching (1 hr) LO2 LO5
Week 03 (i) Specialist teaching area week 3 Block teaching (2 hr) LO1
(ii) The second example project, "Unreliable Product Ad", part 1. Participants assume secondary student role play again. Block teaching (1 hr) LO2 LO3 LO4
Week 04 (i) Specialist teaching area week 4 Block teaching (2 hr) LO1 LO5
(ii) The second example project, "Unreliable Product Ad", part 2. Participants assume secondary student role play again. See Kuhn & Hein, 2021, pp. 77-8, for details. Block teaching (1 hr) LO2 LO3 LO4
Week 05 (i) Specialist teaching area week 5 Block teaching (2 hr) LO1
(ii) Sharing specialisations: breaking from projects for one week, participants give group presentations on what they've learned in their specialist UoS so far, and how they think it's useful to them. Block teaching (1 hr) LO1 LO4 LO5
Week 06 (i) Specialist teaching area week 6 Block teaching (2 hr) LO1
(ii) The second example project, "Unreliable Product Ad", part 3. Participants assume secondary student role play again, complete their projects, and then play their ads to one another. Flipping the role play, participants become teachers, and use Kuhn & Hein's assessment protocols, which are then analysed in the context of the NSW Stage 4 syllabus. Block teaching (1 hr) LO1 LO2 LO3 LO4 LO5
Week 07 (i) Specialist teaching area week 7 Block teaching (2 hr) LO1 LO4 LO5
(ii) Ableton Live, and the websites Learning Music and Learning Synths from the point of view of an Australian classroom teacher - with guest lecturer Caitlin Sandiford Block teaching (1 hr) LO4 LO5
Week 08 (i) Specialist teaching area week 8 Block teaching (2 hr) LO1
(ii) The "Drum Programming" and "Beatmaking" example projects, combined, part 1. Drum programming beginning in Groove Pizza and then extending to Ableton Live. Block teaching (1 hr) LO1 LO4 LO5
Week 09 (i) Specialist teaching area week 9 Block teaching (2 hr) LO1
(ii) The "Drum Programming" and "Beatmaking" example projects, combined, part 2. Introducing the Push and Launchpad devices, as well as Lemur and Touchable Pro on the iPad. Block teaching (1 hr) LO4 LO5
Week 10 (i) SPECIAL PROJECTS WEEK (no lecture in your specialisation, but there may be a special project) Block teaching (2 hr)  
(ii) The "Drum Programming" and "Beatmaking" example projects, combined, part 3. Participants will, role playing as students, DJ their performance or play an arrangement of it. At the same time, the remaining participants will assess performances and musical outcomes. "Ears to the ground" - before next week, talk to young people, and listen to the music they're listening to. Focus on what's newest specifically in the Australian scene. Block teaching (1 hr) LO1 LO5
Week 11 (i) Specialist teaching area week 11 Block teaching (2 hr) LO1
(ii) The Project Formula: Music concept + technology concept + fun hook = successful project. Applying Kuhn and Hein's (2021, p. 56) formula to Australian subgenres. Participants design their _own_ projects. Block teaching (1 hr) LO2 LO3 LO4
Week 12 (i) Specialist teaching area week 12 Block teaching (2 hr) LO1
(ii) Attempting YOUR project(s), part 1. We will choose a number of student-designed music projects (see last class) that follow Kuhn & Hein's formula. In small groups, we will spend one and a half classes, plus any time at home, following the structure of that project. Note: this activity is very close to the final assessment task for this UoS. Block teaching (1 hr) LO1 LO4 LO5
Week 13 (i) Specialist teaching area week 13 Block teaching (2 hr) LO1 LO5
(ii) Attempting YOUR projects, part 2. We'll finish up the final projects, and share our work, brainstorming about opportunities for assessment, and toward the final assessment task. We'll also share our critical feedback with the authors of the book we've been drawing upon all semester. Block teaching (1 hr) LO1 LO2 LO3 LO4 LO5

Attendance and class requirements

Before semester begins, students must sign up for a specialist UoS, and set up a professional online portfolio (see Canvas for details).

Students are to attend every class in their chosen specialisation (note – no classes in week 10, although there may be a special project), and the supplementary EDMT5701 class every Thursday afternoon.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

Kuhn, Will, and Ethan Hein. (2021) Electronic Music School: A Contemporary Approach to Teaching Musical Creativity. Electronic Music School. Oxford University Press. 

Access directly via the library: https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/2rsddf/cdi_askewsholts_vlebooks_9780190076665

A wide range of supplementary reading has been provided on the Reading List on the Canvas website.

 

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. understand several specialist approaches to music education through the focused study of one approach, and the sharing of learning experiences.
  • LO2. integrate DAWs/sequencers in music teaching and learning
  • LO3. make multitrack audio and MIDI recordings, and perform simple edits and mixing
  • LO4. discuss recent technology-related innovations in education broadly, and how they may or may not impact music education
  • LO5. present yourself professionally online, and be aware of ethical and moral considerations of internet use in teaching and learning in addition to NSW and federal legal implications

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

This year the unit is using the same stimulus material, but we’re going to open up the choice of DAW after the first project, based on feedback from people who didn’t like Ableton Live last year!

 

Work, health and safety

This UoS requires the use of headphones in making music. Please always take care when wearing headphones, and keep the volume of your computer as low as possible.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.