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Unit of study_

EMUS1661: Early Keyboard Class 1

Semester 1, 2022 [Normal day] - Sydney

In this Unit of Study students will develop musical ideas and basic technical skills to play the clavichord, harpsichord and chamber organ repertoire in a chosen program of study. Historical and stylistic awareness through research, discussion, and application will be a strong and on-going focus and students will also develop strategies in practice to be self-correcting. Students will also study and gain experience of basso-continuo techniques, figured-bass realisation, improvisation and tuning.

Unit details and rules

Unit code EMUS1661
Academic unit
Credit points 3
Prohibitions
? 
None
Prerequisites
? 
None
Corequisites
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

No

Teaching staff

Coordinator Daniel Yeadon, daniel.yeadon@sydney.edu.au
Tutor(s) Joanna Tondys, joanna.tondys@sydney.edu.au
Type Description Weight Due Length
Small continuous assessment In-class assessment
Participation
50% Ongoing n/a
Outcomes assessed: LO1 LO2
Creative assessment / demonstration Historical keyboard exam
Practical examination
50% Week 13 To be confirmed by the unit tutor
Outcomes assessed: LO1 LO2

Assessment summary

  • In-class assessment: Students will be assessed on their preparation, attendance levels and participation in class.
  • Final exam: Harpsichord/chamber organ performance exam to include the following repertoire: (1) Alman or Pavan from the Fitzwilliam Virginal Book vol. 1 or vol. 2 (2) G. Frescobaldi – movement from Fiori Musicali (on chamber organ) (3) H. Purcell – any Prelude from his set of Suites (4) basic basso continuo exercises by Handel.

More detailed information for each assessment can be found on Canvas.

Assessment criteria

The following assessment criteria are used for performance work in this unit of study:

Result name

Mark range

Description

High distinction

85 - 100

Comprehensive and outstanding technical control and musical integrity in relation to developmental expectations. Musical individuality consistently projected to create a persuasive personal representation of the work. Performance flair indicative of soloist standard. A mark of 95 or above indicates extraordinary technical virtuosity and musical artistry.

Distinction

75 - 84

Excellent technical, musical and stylistic achievement. Consistently coherent and expressive performance. Some personal interpretation of the work suggesting soloist potential. 

Credit

65 - 74

Confident technique with evidence of solid musicality and some stylistic achievement. Occasional lapses indicative of unresolved technical, artistic and/or stylistic issues. Projects potential for further development.

Pass

50 - 64

Satisfactory level of preparation and musical engagement. Some inconsistencies in musicianship, style and/or technique. Musical imagination and overall performance sense developing though some insecurity in this area.

Fail

0 - 49

Unsatisfactory technical achievement and/or unsatisfactory level of musical and artistic engagement. Limitations may be of such a scale and consistency as to call into question the student’s future direction in the programme.

For more information see sydney.edu.au/students/guide-to-grades.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The Current Student website  provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.  

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

WK Topic Learning activity Learning outcomes
Week 01 Introductory class and touch on the harpsichord Tutorial (1 hr) LO1 LO2
Week 02 Alman or Pavan from the Fitzwilliam Virginal Book vol. 1 or 2 (session 1) Tutorial (1 hr) LO1 LO2
Week 03 Alman or Pavan from the Fitzwilliam Virginal Book vol. 1 or 2 (session 2) Tutorial (1 hr) LO1 LO2
Week 04 G. Frescobaldi – movement from Fiori Musicali, on chamber organ (session 1) Tutorial (1 hr) LO1 LO2
Week 05 G. Frescobaldi – movement from Fiori Musicali, on chamber organ (session 2) Tutorial (1 hr) LO1 LO2
Week 06 H. Purcell – any Prelude from his set of Suites (session 1) Tutorial (1 hr) LO1 LO2
Week 07 Additional tutorial - content tailored to student cohort Tutorial (1 hr) LO1 LO2
Week 09 H. Purcell – any Prelude from his set of Suites (session 2) Tutorial (1 hr) LO1 LO2
Week 10 Additional tutorial - content tailored to student cohort Tutorial (1 hr) LO1 LO2
Week 11 Basic basso continuo exercises by Handel (session 1) Tutorial (1 hr) LO1 LO2
Week 12 Basic basso continuo exercises by Handel (session 2) Tutorial (1 hr) LO1 LO2
Week 13 Final check-in before performance exam Tutorial (2 hr) LO1 LO2

Attendance and class requirements

  • Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School or professor most concerned. The Dean, Head of School or professor most concerned may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 3 credit point unit, this equates to roughly 60-75 hours of student effort in total.

Required readings

See Canvas Historical Performance site for recommended readings.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. play historical keyboards with awareness of appropriate touch and technique
  • LO2. realise specific repertoire with appropriate phrasing, articulation and ornamentation.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

This unit of study now involves harpsichord and chamber organ only.

See Canvas Historical Performance site for more detailed course information and regular updates, including Covid-19 safety guidelines.

Work, health and safety

Refer to Canvas and generic University communications for regular Covid-19 safety updates.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.