Unit outline_

JAZZ1621: Jazz Music Skills 1

Semester 1, 2026 [Normal day] - Sydney

Harmony and Arranging Module: This unit deals with the study of the harmony of standard jazz repertoire both from a theoretical angle and through the process of arranging for small jazz combos. Students will learn to understand and use basic harmonic rules and standard harmonic devices, diatonic progression and chord patterns. Keyboard Module: Puts theoretical concepts covered in both the Harmony and Arranging and Aural Modules into practice using keyboard instruments. Aural Module: Offers a systematic study of all simple intervals up to and including one octave, triadic harmony, four note chords in closed position and voice leading within these concepts, focusing on common harmonic movements that occur in the jazz repertoire.

Unit details and rules

Academic unit Jazz
Credit points 6
Prerequisites
? 
None
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Andrew Robertson, andrew.robertson@sydney.edu.au
The census date for this unit availability is 31 March 2026
Type Description Weight Due Length Use of AI
Practical skill Arranging Module Weekly homework assignments
5 tasks throughout the Semester, each 2% (totalling 10%)
10% Multiple weeks n/a AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
In-class quiz Early Feedback Task Early Feedback Task - Canvas quiz
Mandatory Canvas Quiz based on jazz music skills
0% Week 03
Due date: 13 Mar 2026 at 23:59
20mins AI allowed
Outcomes assessed: LO1 LO2 LO5 LO6 LO7 LO8
In-class quiz Ear Training & Harmony - Class Test (Auralia)
Ear training test in Auralia software
5% Week 05
Due date: 23 Mar 2026 at 23:59
1 hour AI allowed
Outcomes assessed: LO5 LO6 LO7 LO8
Creative work Arranging Module: Mid Semester assignment
32 bar arrangement for 4 Horns demonstrating closed voicing skills.
10% Week 07
Due date: 19 Apr 2026 at 23:59
n/a AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
In-class quiz Ear Training & Harmony - Mid-Semester Class Test
Ear training class test written
15% Week 08
Due date: 20 Apr 2026 at 23:59
1 hour AI allowed
Outcomes assessed: LO5 LO6 LO7 LO8
In-class quiz Ear Training & Harmony - End of Semester Test
Written test - summary of Semester work
20% Week 13
Due date: 31 May 2026 at 23:59
1 hour AI allowed
Outcomes assessed: LO5 LO6 LO7 LO8
Creative work Arranging Module: End of Semester assignment
Full chorus arrangement for 8-piece jazz ensemble
20% Week 13
Due date: 31 May 2026 at 23:59
n/a AI allowed
Outcomes assessed: LO1 LO2 LO3 LO4
Contribution Rhythm Fundamentals Participation
Participation and attendance mark throughout Semester
15% Week 13
Due date: 31 May 2026 at 23:59
Throughout Semester AI allowed
Outcomes assessed: LO9 LO10 LO11
Attendance - accreditation or faculty requirement Con Sings!
Attendance at Con Sings! in Week 10
5% Week 13 4 hours Not applicable
Outcomes assessed: LO6 LO10
early feedback task = early feedback task ?

Early feedback task

This unit includes an early feedback task, designed to give you feedback prior to the census date for this unit. Details are provided in the Canvas site and your result will be recorded in your Marks page. It is important that you actively engage with this task so that the University can support you to be successful in this unit.

Assessment summary

Detailed information for each assessment can be found on Canvas.

Assessment criteria

  • Assessment criteria for assessments in this unit of study can be found on Canvas in the appropriate folder.
  • Assessed work will be marked according to these criteria.

Result name

Mark range

Description

High distinction

85 - 100

Awarded when you demonstrate the learning outcomes for the unit at an exceptional standard, as defined by grade descriptors or exemplars outlined by your faculty or school.

Distinction

75 - 84

Awarded when you demonstrate the learning outcomes for the unit at a very high standard, as defined by grade descriptors or exemplars outlined by your faculty or school.

Credit

65 - 74

Awarded when you demonstrate the learning outcomes for the unit at a good standard, as defined by grade descriptors or exemplars outlined by your faculty or school.

Pass

50 - 64

Awarded when you demonstrate the learning outcomes for the unit at an acceptable standard, as defined by grade descriptors or exemplars outlined by your faculty or school.

Fail

0 - 49

When you don’t meet the learning outcomes of the unit to a satisfactory standard.

Absent fail

0 - 49

When you haven’t completed all assessment tasks or met the attendance requirements.

For more information see guide to grades.

Use of generative artificial intelligence (AI)

You can use generative AI tools for open assessments. Restrictions on AI use apply to secure, supervised assessments used to confirm if students have met specific learning outcomes.

Refer to the assessment table above to see if AI is allowed, for assessments in this unit and check Canvas for full instructions on assessment tasks and AI use.

If you use AI, you must always acknowledge it. Misusing AI may lead to a breach of the Academic Integrity Policy.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

Academic integrity

The University expects students to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

Our website provides information on academic integrity and the resources available to all students. This includes advice on how to avoid common breaches of academic integrity. Ensure that you have completed the Academic Honesty Education Module (AHEM) which is mandatory for all commencing coursework students

Penalties for serious breaches can significantly impact your studies and your career after graduation. It is important that you speak with your unit coordinator if you need help with completing assessments.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week 01 Jazz Music Skills Arranging module • Overview of course, assessments, and final arranging task • Diatonic harmony in major keys • Role of arranger vs composer • Score layout for 8-piece ensemble Lecture (1.5 hr) LO1
Jazz Music Skills - Ear Training & Harmony module • Course overview and assessment outline • Intervals and the harmonic series • Construction of major scales and church modes • Key centre and tonic: hearing scale degrees relative to tonic Lecture (1.5 hr) LO6 LO9
Week 02 Jazz Music Skills Arranging module • Written vs sounding pitch • Practical ranges of trumpet, saxophones, trombone • Register considerations and balance Tutorial (1.5 hr) LO2 LO1
Jazz Music Skills - Ear Training & Harmony module • Church modes: structure, sound, and function • Deriving diatonic triads from the major scale • Cadences and simple progressions (e.g. Pachelbel Canon) • Cycle of fifths progressions Tutorial (1.5 hr) LO1 LO5 LO8
Week 03 Jazz Music Skills Arranging module • Simple melody writing (4–8 bars) • Motivic development • Jazz articulation and phrasing conventions Lecture (1.5 hr) LO2 LO3 LO4
Jazz Music Skills - Ear Training & Harmony module • Common 7th chords: maj7, min7, dom7, min7♭5 • Inversions of major and minor triads • Guide tones (3rds and 7ths) • Simple melodic dictation using swing rhythms Lecture (1.5 hr) LO5 LO9
Week 04 Jazz Music Skills Arranging module • Closed position voicings • Voice spacing rules • Harmonising melody in 4 parts Tutorial (1.5 hr) LO2 LO3 LO1 LO4
Jazz Music Skills - Ear Training & Harmony module • 4-bar guide tone tone-rows • Secondary dominants • 12-bar blues and variations • ‘Rhythm Changes’ progression Tutorial (1.5 hr) LO2 LO1 LO5
Week 05 Jazz Music Skills Arranging module • Textural considerations • Horizontal vs vertical writing • Stepwise motion and contrary motion • Avoiding “block-chord syndrome” Lecture (1.5 hr) LO2 LO3 LO1 LO4
Jazz Music Skills - Ear Training & Harmony module • Additional 4-bar jazz progressions • More complex melodic dictation • Triad inversions (major and minor) • Bass line and guide tone singing Lecture (1.5 hr) LO5 LO7 LO8
Week 06 Jazz Music Skills Arranging module. • Notation conventions for: - Piano (grand staff vs slash notation) - Guitar (chord symbols, slashes) - Bass (walking bass notation) - Drums (lead sheet style notation) Tutorial (1.5 hr) LO2 LO4
Jazz Music Skills - Ear Training & Harmony module • Less common 7th chords: dim(maj7), maj7♯5, dom7♭5, dom7♭9 • Harmonic analysis of All of Me • Minor key harmony: Summertime, Angel Eyes • More advanced melodic dictation Tutorial (1.5 hr) LO1 LO7 LO8
Week 07 Jazz Music Skills Arranging module • Drop-2 concept and sound • Application in small ensemble contexts • Comparison with closed voicing Lecture (1.5 hr) LO2 LO3 LO1 LO4
Jazz Music Skills - Ear Training & Harmony module • Review of all previous progressions • Progressions not beginning on tonic (ii7, II7, IVmaj7) • Chord transcription from recordings Lecture (1.5 hr) LO5 LO7 LO8
Week 08 Jazz Music Skills Arranging module. • Purpose and function of guide tones • Purpose and function of countermelodies • Register placement and rhythmic contrast Tutorial (1.5 hr) LO2 LO3 LO1 LO4
Jazz Music Skills - Ear Training & Harmony module Assessment week: • Aural identification • Melodic dictation • Harmonic recognition • Short written theory components Lecture (1.5 hr) LO5 LO6 LO7 LO8
Week 09 Jazz Music Skills Arranging module. • Score setup and introduction to part formatting • Transposition tools • Jazz font, spacing, and layout basics Lecture (1.5 hr) LO2 LO4
Jazz Music Skills - Ear Training & Harmony module • 7th chord voicings: 1-5-7-3; 1-7-3-5 • Introduction to drop-2 concept • Altering diatonic harmony Lecture (1.5 hr) LO1 LO5
Week 11 Jazz Music Skills Arranging module. Arranging a 32-Bar Form • AABA and ABAC forms • Sectional contrast and contour • Density and orchestration pacing Lecture (1.5 hr) LO2 LO3 LO1 LO4 LO5
Jazz Music Skills - Ear Training & Harmony module • Complex progressions with diatonic roots: Repertoire: I Should Care, That Old Feeling, The Man I Love • Advanced melodic dictation Lecture (1.5 hr) LO5 LO7 LO8
Week 12 Jazz Music Skills Arranging module. • Peer listening and critique • Common orchestration errors • Final revisions Lecture (1.5 hr) LO2 LO3 LO1 LO4 LO5
Jazz Music Skills - Ear Training & Harmony module • Review of all semester content • Practice examples for final assessment • Integrated aural–theory exercises Lecture (1.5 hr) LO5 LO6 LO7 LO8
Week 13 Jazz Music Skills Arranging module. Assessment • Final Project: 32-bar jazz arrangement for 8-piece ensemble • Classroom performance of pieces Lecture (1.5 hr) LO2 LO3 LO1 LO4 LO5
Jazz Music Skills - Ear Training & Harmony module Comprehensive aural exam covering: - Intervals, scales, chords - Harmonic progressions - Melodic dictation - Jazz rhythmic recognition Tutorial (1.5 hr) LO5 LO6 LO7 LO8

Attendance and class requirements

Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School or professor most concerned. The Dean, Head of School or professor most concerned may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Become fluent in diatonic jazz harmony and beginning arranging techniques
  • LO2. Analyse jazz arrangements from a range of styles and eras
  • LO3. Write arrangements for small group jazz band in a range of styles
  • LO4. Complete a single chorus arrangement for 8-piece jazz band to be performed in class
  • LO5. Increase aural skills and use this understanding to deepen your ability to listen, understand and perform in jazz and improvised contexts.
  • LO6. Identify intervals within an octave and major modal scales by ear
  • LO7. Identify by ear and notate diatonic melodic phrases of up to 8-bars length
  • LO8. Identify by ear principally diatonic chordal progressions of up to 8-bars length
  • LO9. Have a broad understanding of foundation rhythmic principles associated with contemporary music/jazz performance
  • LO10. Have a basic set of problem solving, procedural skills allowing for the development and manipulation of personal rhythmic process and vocabulary
  • LO11. Develop physical coordination skills relating to rhythmic forms, structures, and procedural practices

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

Changes to number of assessments and weighting plus re-write of sequential learning program.

More information and resources are to be found on Canvas

Disclaimer

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