MUSC1611: Semester 2, 2022

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Units MUSC1611 Semester 2 2022 [Normal day]

Unit of study_

MUSC1611: The Studio for Songwriters 1

Semester 2, 2022 [Normal day] - Camperdown/Darlington, Sydney

Overview

This unit explores the use of the studio from the viewpoint songwriter and is intended to prepare first year students in the Contemporary Music major for their recording projects throughout the degree. In addition, this unit will provide the fundamental critical listening skills which are built upon over the course of their studies, and into their future careers. In this unit, students will gain a thorough understanding of basic studio concepts to use when recording their creative work, with a focus entirely on contemporary music and recording techniques suited to this music. Students will work in small groups in tutorials to complete practical tasks such as file management, reverb techniques, panning, bussing, effects, EQ, microphone placement, basics of compression and limiting, grouping and mixing. However, the purpose of this course is not only to learn about recording techniques, but to understand how these techniques specifically work in support of the song.

Unit details and rules

Unit code	MUSC1611
Academic unit
Credit points	6
Prohibitions ?	None
Prerequisites ?	MUSC1401
Corequisites ?	None
Assumed knowledge ?	Students enrolling in this unit of study must have some experience with writing their own original songs in a contemporary music style
Available to study abroad and exchange students	Yes

Teaching staff

Coordinator	Paul McDermott, p.mcdermott@sydney.edu.au
Tutor(s)	Paul McDermott, p.mcdermott@sydney.edu.au
	Ben Panucci, bpan5523@uni.sydney.edu.au
	Jerome Blaze, jerome.blaze@sydney.edu.au

Type	Description	Weight	Due	Length
Assignment	Critical Listening Log Submitted assignment.	35%	Week 06 Due date: 11 Sep 2022 at 23:59	1500 Words
Outcomes assessed:
Assignment	“Show Your Working” Demo Submitted recording.	15%	Week 10 Due date: 16 Oct 2022 at 23:59	1-2 minutes recorded work.
Outcomes assessed:
Assignment	Producing with Stems Submitted recording.	25%	Week 13 Due date: 06 Nov 2022 at 23:59	3-5 minute recording.
Outcomes assessed:
Participation	In-class Tutorial Participation & Weekly Tasks Weekly participation and engagement.	25%	Weekly Due date: 06 Nov 2022 at 23:59	Weekly
Outcomes assessed:
= group assignment ?

Assessment summary

In-class Tutorial Participation & Weekly Tasks – Students will be marked on their particpation and ability to work in their groups each week on tutorial tasks.

Critical Listening Log – Students will select 3 of the songs provided and complete a critical listening log, describing the sounds and production elements throughout and detailing their wider context to the meaning and mood of the songs.

“Show Your Working” Demo – Students will subnit the cover track they have worked on in class in their groups to show their ability to master the skills each week in the tutorials.

Producing with Stems – Students will select 1 song from the stems provided and produce the track. Students will apply 8 different production techniques learned this semester and complete a listening notes document detailing creative process.

Assessment criteria

Rubrics available on Canvas.

For more information see guide to grades.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

Deduction of 5% of the maximum mark for each calendar day after the due date.
After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

University policy on late penalties applies.

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

You may only use artificial intelligence and writing assistance tools in assessment tasks if you are permitted to by your unit coordinator, and if you do use them, you must also acknowledge this in your work, either in a footnote or an acknowledgement section.

Studiosity is permitted for postgraduate units unless otherwise indicated by the unit coordinator. The use of this service must be acknowledged in your submission.

Learning support

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Weekly schedule

WK	Topic	Learning activity
Week 01	INTRODUCTION Welcome to unit, choosing a DAW, introduction to signal flow, caring for the space, DAW selection (Logic).	Lecture (1 hr)
Week 01	TASKS 1) Drawing signal flow diagrams for the Con studio rooms. 2) File management exercise creating tracks, naming and markers. Fixing up a badly labelled session.	Tutorial (1 hr)
Week 02	DAW BASICS: This lecture will cover how to start a song from scratch, track types and windows, plug-ins and pitfalls, synths and samplers.	Lecture (1 hr)
Week 02	TASKS 1) Creating a session from scratch, 2) Creating different track types 3) Setting a click track 4) Recording the start of a cover song.	Tutorial (1 hr)
Week 03	VOCALS & MICROPHONES This class will focus specifically on the use of microphones, their types, and how they’re used to record vocals. Also, polar patterns, phantom power.	Lecture (1 hr)
Week 03	TASK 1) Microphone shootout - learning what types go with what vocal sounds.	Tutorial (1 hr)
Week 04	VOCALS & PANNING: This class will explain how panning works in relation to vocals, creating space within a recording, and double-tracking.	Lecture (1 hr)
Week 04	TASKS 1) Adding a vocal arrangement of a lead and backing vocals to your cover track 2) Using panning techniques to create space in the arrangement.	Tutorial (1 hr)
Week 05	REVERB PART 1 This class will cover the history of reverb, the different types we use, and analyse some important recordings that use reverb in interesting ways.	Lecture (1 hr)
Week 05	TASKS Applying and describing different kinds of reverb: 1) Plate reverb 2) Dry/ambient reverb 3) Impulse response 4) Spring 5) Hall 6) Room	Tutorial (1 hr)
Week 06	EQ This class will cover a history of EQ and what it can do for your own tracks in terms of arrangement and mixing.	Lecture (1 hr)
Week 06	TASK 1) EQing vocals exercise - who’s the boss?	Tutorial (1 hr)
Week 07	COMPRESSION & LIMITING This class will cover how compression works and how you can use it on your tracks - particularly vocals.	Lecture (1 hr)
Week 07	TASK 1) Applying compression and limiting to the vocal arrangement started in week 4.	Tutorial (1 hr)
Week 08	REVERB CONTINUED + ECHO & DELAY This class will cover a history of delay, what it’s used for and specific types of delay used in contemporary records, and older methods like tape delay.	Lecture (1 hr)
Week 08	TASKS 1) Experimentation with echo and delay on your cover tracks. 2) Gated reverb	Tutorial (1 hr)
Week 09	EFFECTS This class will cover the sounds of common effects like chorus, flanger, phaser, distortion and reversing, and how and why they are used.	Lecture (1 hr)
Week 09	TASKS 1) Critical listening task to key tracks using effects. 2) Adding effects/bussing effects on an original song.	Tutorial (1 hr)
Week 11	GROUPING & MIXING This class will start to prepare students for finishing off their stems submission. This will cover how to group sounds together, how to “glue” tracks together, and basic mixing techniques.	Lecture (1 hr)
Week 11	TASK 1) Practicing grouping and mixing from given stems and sessions.	Tutorial (1 hr)
Week 12	MIXING AND MASTERING This class will build from the previous class, with advice on final mixing and bouncing of files. There will also be some Q&A time for questions about the final assessment.	Lecture (1 hr)
Week 12	TASK 1) Working on your final assignment with feedback from your tutor.	Tutorial (1 hr)

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

There readings may be helpful to you during this class (and the rest of your degree).

- Audio Production Prinicples: Practical Studio Applications by Stephane Elmosnino

- Your Mix Sucks by Marc Mozart.

Learning outcomes

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

Outcomes
Graduate qualities

At the completion of this unit, you should be able to:

LO1. Have an understanding of DAWs and their uses.
LO2. Understand and apply important studio concepts, like editing, EQ, compression, reverb, effects, panning, microphone techniques, grouping, bussing and mixing.
LO3. Critically listen to contemporary music recordings and reflect on their own creative process.
LO4. Confidently engage in future recording tasks in the Contemporary Music major.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1	Depth of disciplinary expertise Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.
GQ2	Critical thinking and problem solving Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.
GQ3	Oral and written communication Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.
GQ4	Information and digital literacy Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.
GQ5	Inventiveness Generating novel ideas and solutions.
GQ6	Cultural competence Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.
GQ7	Interdisciplinary effectiveness Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.
GQ8	Integrated professional, ethical, and personal identity An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.
GQ9	Influence Engaging others in a process, idea or vision.

Outcome map

Learning outcomes	Graduate qualities
Learning outcomes

Responding to student feedback

This section outlines changes made to this unit following staff and student reviews.

Student feedback consistently positive. No changes made

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.

Current students

Overview

Overview

Unit details and rules

Teaching staff

Assessment

Assessment

Assessment summary

Assessment criteria

Late submission

Academic integrity

Learning support

Learning support

Simple extensions

Special consideration

Using AI responsibly

Weekly schedule

Weekly schedule

Study commitment

Required readings

Learning outcomes

Learning outcomes

Graduate qualities

Outcome map

Responding to student feedback

Responding to student feedback

Disclaimer

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