Unit outline_

MUSC2403: Contemporary Music Practice 3

Semester 1, 2026 [Normal day] - Camperdown/Darlington, Sydney

Students will bring their composition, performance and music technology skills together to complete a variety of collaborative projects during the course of the semester. Students will be challenged to write with different collaborators each week with weekly tasks exploring different genres and creative ideas. The aim of this class is to equip students with new songwriting methods in their “toolkit” which they can draw from in their own original works. They will produce a high-quality demo recordings in a studio environment. Throughout the semester, students will engage in analysis and assessment of their own work and the work of others.

Unit details and rules

Academic unit Contemporary Music
Credit points 6
Prerequisites
? 
MUSC1402
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Bree Van Reyk, bree.vanreyk@sydney.edu.au
The census date for this unit availability is 31 March 2026
Type Description Weight Due Length Use of AI
Creative work hurdle task Creative Work #1 + #2
Recordings of Creative Works #1 + #2. Each song/piece/work must reflect and respond to an identified theme/style/concept/investigation, which is discussed in an accompanying text rationale.
40% Formal exam period
Due date: 08 Jun 2026 at 23:59

Closing date: 12 Jun 2026
6-8 mins (1-3 songs) AI allowed
Outcomes assessed: LO1 LO2 LO4 LO5 LO6 LO7 LO8 LO9
Q&A following presentation, submission or placement Q+A on presentation topic
Following their in-class presentation, students will respond to tutor-led questions relating to their presentation topic.
5% Multiple weeks 5 minutes AI prohibited
Outcomes assessed: LO2 LO3
Practical skill Collaborative Songwriting Tasks x 5
During tutorials in weeks 1-6 students will collaborate in small groups on a creative task, as set by the tutor, which responds to the lecture topic for that week.
25% Multiple weeks N/A AI allowed
Outcomes assessed: LO1 LO2 LO4 LO6 LO7 LO8
Presentation hurdle task Critical music analysis presentation
In-Class critical music analysis presentation. Students will present an in-depth and nuanced mini-seminar (8 mins) on a key compositional concept/theme/device of their choice.
20% Multiple weeks
Closing date: 08 May 2026
8 minutes AI allowed
Outcomes assessed: LO1 LO2 LO3 LO9
Out-of-class quiz Early Feedback Task Early Feedback Quiz
Written musical analysis Canvas quiz
0% Week 03
Due date: 04 Mar 2026 at 23:59
400 words AI allowed
Outcomes assessed: LO1 LO2 LO3 LO9
Q&A following presentation, submission or placement In-class Presentation and Discussion of Creative Work #1 Demo/WIP
Students will play/perform a demo/work-in-progress version of their Creative Work #1, followed by a discussion of the concept and production attributes.
5% Week 07
Due date: 15 Apr 2026 at 23:59

Closing date: 24 Apr 2026
6 minutes AI prohibited
Outcomes assessed: LO2 LO3 LO5 LO6 LO7 LO8
Q&A following presentation, submission or placement In-class Presentation and Discussion of Creative Work #2 Demo/WIP
Students will play/perform a demo/work-in-progress version of their Creative Work #2, followed by a discussion of the concept and production attributes.
5% Week 13
Due date: 27 May 2026 at 23:59

Closing date: 29 May 2026
6 minutes AI prohibited
Outcomes assessed: LO2 LO3 LO5 LO6 LO7 LO8
hurdle task = hurdle task ?
early feedback task = early feedback task ?

Early feedback task

This unit includes an early feedback task, designed to give you feedback prior to the census date for this unit. Details are provided in the Canvas site and your result will be recorded in your Marks page. It is important that you actively engage with this task so that the University can support you to be successful in this unit.

Assessment summary

  • Early Feedback Task: ‘What is the Theme? How Does it Work?’ Students will create a written response (400 words) which identifies the key compositional theme/s in common across the three songs in the chosen set. The aim of this assessment is to identify and analyse the commonalities and contrasts which are most notable, important or otherwise of interest to the listener.
  • Collaborative Songwriting Tasks (6): During tutorials in weeks 1-6 students will collaborate in small groups on a creative task, as set by the tutor, which responds to the lecture topic for that week. The musical ideas do not have to be fully developed or realised, but some musical material which responds to the weekly theme must be created in collaboration with peers.
  • Critical music analysis presentation: Referring to relevant academic texts, recorded music, and other media sources, students will present an in-depth and nuanced mini-seminar (8 mins) on a key compositional concept/theme/device of their choice as found in 1-3 examples of existing contemporary music (any popular music from 1955 onwards - no jazz or blues), also of their own choosing. The mini-seminar must include audio excerpts of the music being discussed, and may be presented in-class either live or as a pre-recorded video. A full reference list, which contains at least two academic sources, must be provided. Following their in-class presentation, students will respond to tutor-led questions relating to their presentation topic (5 mins).
  • Creative Works #1 + #2: Students will individually produce and submit 2 songs (6-8 minutes in total) of original music, accompanyied by a text rationale (600-800 words). For Creative Work #1 the developed songs/music must make use audio stems and/or melodic/harmonic/rhythmic/lyrical aspects from one of the song ideas they have created in the Collaborative Songwriting Sessions. Creative Work #2 must be based on a different theme/topic/concept of the student's choosing (it could be a response to a different lecture topic, a student presentation, or a separate area of interest/inquiry. The text rationale must concisely discuss: the key themes/attributes of the music; the mixing and recording techniques used in the chosen DAW; key collaborators, influences, and references for the tracks; in the case of #1, how the musical artefacts from the original songs was integrated into the final work. Students will play/perform a demo/work-in-progress version of their Creative Works in-class during weeks 7 (#1) and 13 (#2). This will be followed by a brief discussion of the concept and production attributes of the work.

Detailed information for each assessment can be found on Canvas.

Assessment criteria

Refer to Canvas for Assignment Assessment Criteria

For more information see guide to grades.

Use of generative artificial intelligence (AI)

You can use generative AI tools for open assessments. Restrictions on AI use apply to secure, supervised assessments used to confirm if students have met specific learning outcomes.

Refer to the assessment table above to see if AI is allowed, for assessments in this unit and check Canvas for full instructions on assessment tasks and AI use.

If you use AI, you must always acknowledge it. Misusing AI may lead to a breach of the Academic Integrity Policy.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

As per USYD guidelines

Academic integrity

The University expects students to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

Our website provides information on academic integrity and the resources available to all students. This includes advice on how to avoid common breaches of academic integrity. Ensure that you have completed the Academic Honesty Education Module (AHEM) which is mandatory for all commencing coursework students

Penalties for serious breaches can significantly impact your studies and your career after graduation. It is important that you speak with your unit coordinator if you need help with completing assessments.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week 01 Introduction to Unit Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 02 Lecture #2 Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 03 Lecture #3 Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 04 Lecture #4 Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 05 Lecture #5 Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 06 Lecture #6 Lecture (1 hr) LO2 LO1 LO3
Collaborative Songwriting Session Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6
CMP Lab Workshop (1 hr) LO7
Week 07 Lecture #7 Lecture (1 hr) LO2 LO1 LO3
Listening + Discussion: Creative Work #1 demo/WIP Tutorial (2 hr) LO2 LO8 LO7 LO6 LO3
CMP Lab Workshop (1 hr) LO7
Week 08 Lecture #8 Lecture (1 hr) LO2 LO1 LO3
In-Class Presentations Tutorial (2 hr) LO2 LO1 LO9 LO3
CMP Lab Workshop (1 hr) LO7
Week 09 Lecture #9 Lecture (1 hr) LO2 LO1 LO3
In-Class Presentations Tutorial (2 hr) LO2 LO1 LO9 LO3
CMP Lab Workshop (1 hr) LO7
Week 11 Lecture #10 Lecture (1 hr) LO2 LO1 LO3
Collaborative Studio Sessions Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6 LO5
CMP Lab Workshop (1 hr) LO7
Week 12 Lecture #11 Lecture (1 hr) LO2 LO1 LO3
Collaborative Studio Sessions Tutorial (2 hr) LO2 LO8 LO7 LO1 LO4 LO6 LO5
CMP Lab Workshop (1 hr) LO7
Week 13 Lecture #12 Lecture (1 hr) LO2 LO1 LO3
Listening + Disussion: Creative Work #2 (demo/WIP) Tutorial (2 hr) LO2 LO8 LO7 LO3 LO5
CMP Lab Workshop (1 hr) LO7

Attendance and class requirements

  • Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School or professor most concerned. The Dean, Head of School or professor most concerned may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.
  • Referencing: You must use full Chicago-style referencing (with footnotes) in your essay.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. study relevant compositional themes, concepts, production considerations, and other musical attributes across a range of contemporary music styles
  • LO2. demonstrate understandings of compositional themes, concepts, production considerations, and other musical attributes across diverse forms of contemporary music
  • LO3. demonstrate ability to discuss key themes and musical attributes across a range of contemporary music styles
  • LO4. create original music based on thematic prompts in collaboration with peers
  • LO5. create, record and produce original music individually
  • LO6. demonstrate a developing level of aptness in using a chosen DAW in the composition, recording and mixing of original music
  • LO7. reflect critically on your music and music produced by your peers
  • LO8. document and maintain records of collaborative and individual music practice activities
  • LO9. source and correctly reference relevant academic texts and other information sources

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

I have reviewed the UoS survey from the previous iteration of this course and made changes to the analytical framework and conceptual mode of the lectures.

More information can be found on Canvas.

Work, health and safety

Please be mindful of volume levels while rehearsing, recording and mixing music. Wear earplugs during live sessions if need be and monitor mix sessions at a moderate volume.

Disclaimer

Important: the University of Sydney regularly reviews units of study and reserves the right to change the units of study available annually. To stay up to date on available study options, including unit of study details and availability, refer to the relevant handbook.

To help you understand common terms that we use at the University, we offer an online glossary.