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Unit outline_

MUSC2663: Survey of Film Music

Semester 1, 2025 [Normal day] - Camperdown/Darlington, Sydney

This unit is an introductory survey of the history and aesthetics of film music from the late 1890s to the present day. Topics for discussion will include the dramatic function of music as an element of cinematic narrative, the codification of musical iconography in cinematic genres, the symbolic use of pre-existing music, and the evolving musical styles of film composers.

Unit details and rules

Academic unit Analysis, History and Cultural Studies
Credit points 6
Prerequisites
? 
None
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Andrew Callaghan, andrew.callaghan@sydney.edu.au
The census date for this unit availability is 31 March 2025
Type Description Weight Due Length
Assignment AI Allowed Essay or Video Essay
Analyse and discuss the music used in one or two films. See Canvas.
35% Formal exam period
Due date: 10 Jun 2025 at 23:59
2000 written words or 10-12 minute video
Outcomes assessed: LO2 LO1 LO3 LO5 LO6
Presentation In-class discussions
Contribute an idea to one weekly class based on a journal entry. Presentation in class. See Canvas for details
15% Multiple weeks 5-10 minutes.
Outcomes assessed: LO1 LO7 LO4 LO3 LO2
Small continuous assessment AI Allowed Journal entries
Write two short journal entries to discuss film scores. See Canvas.
20% Multiple weeks 2 x 400 word entries
Outcomes assessed: LO1 LO7 LO4 LO3 LO2
Small test Early Feedback Task AI Allowed Quiz: concepts and skills
Online quiz to check understanding and ability to complete the subject #earlyfeedbacktask
5% Week 03 30 minutes
Outcomes assessed: LO1 LO7 LO6 LO5 LO4 LO3 LO2
Assignment AI Allowed Cue observation sheet
Observe and interpret musical cues in a film. See Canvas.
25% Week 08
Due date: 17 Apr 2025 at 23:59
1200 words
Outcomes assessed: LO2 LO3 LO5 LO7
AI allowed = AI allowed ?
early feedback task = early feedback task ?

Early feedback task

This unit includes an early feedback task, designed to give you feedback prior to the census date for this unit. Details are provided in the Canvas site and your result will be recorded in your Marks page. It is important that you actively engage with this task so that the University can support you to be successful in this unit.

Assessment summary

Faculty policy will apply

Assessment criteria

Canvas will include rubrics tailored for each assessment based on these general descriptors:

Result name

Mark range

Description

High distinction

85 - 100

Awarded when you demonstrate the learning outcomes for the unit at an exceptional standard, as defined by grade descriptors or exemplars.

Distinction

75 - 84

Awarded when you demonstrate the learning outcomes for the unit at a very high standard, as defined by grade descriptors or exemplars.

Credit

65 - 74

Awarded when you demonstrate the learning outcomes for the unit at a good standard, as defined by grade descriptors or exemplars outlined by your faculty or school.

Pass

50 - 64

Awarded when you demonstrate the learning outcomes for the unit at an acceptable standard, as defined by grade descriptors or exemplars.

Fail

0 - 49

The learning outcomes of the unit of study have not been met to a satisfactory standard.

For more information see guide to grades.

Use of generative artificial intelligence (AI) and automated writing tools

Except for supervised exams or in-semester tests, you may use generative AI and automated writing tools in assessments unless expressly prohibited by your unit coordinator. 

For exams and in-semester tests, the use of AI and automated writing tools is not allowed unless expressly permitted in the assessment instructions. 

The icons in the assessment table above indicate whether AI is allowed – whether full AI, or only some AI (the latter is referred to as “AI restricted”). If no icon is shown, AI use is not permitted at all for the task. Refer to Canvas for full instructions on assessment tasks for this unit. 

Your final submission must be your own, original work. You must acknowledge any use of automated writing tools or generative AI, and any material generated that you include in your final submission must be properly referenced. You may be required to submit generative AI inputs and outputs that you used during your assessment process, or drafts of your original work. Inappropriate use of generative AI is considered a breach of the Academic Integrity Policy and penalties may apply. 

The Current Students website provides information on artificial intelligence in assessments. For help on how to correctly acknowledge the use of AI, please refer to the  AI in Education Canvas site

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

Faculty policy will apply

Academic integrity

The Current Student website provides information on academic integrity and the resources available to all students. The University expects students and staff to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

We use similarity detection software to detect potential instances of plagiarism or other forms of academic integrity breach. If such matches indicate evidence of plagiarism or other forms of academic integrity breaches, your teacher is required to report your work for further investigation.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy 2023 reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy 2023. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week 01 Introduction & Silent Film Lecture (2 hr) LO1 LO2 LO4 LO5 LO7
Welcome & introduction to the assessments. Focus on the first assessments: journal entries and class participation. Beginning film music analysis. Tutorial (1 hr) LO2 LO3
Week 02 “You Ain’t Heard Nothin’ Yet!” The advent of the talkies and early musicals. Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO7
“Bad Habits” and new challenges in the sound era. Early developments in the film musical Film music analysis: identifying musical functions Overview of the upcoming quiz. Tutorial (1 hr) LO1 LO2 LO3 LO4 LO6 LO7
Week 03 Animation & Leitmotifs Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO7
Leitmotifs, characters and story development. Musical descriptions. Tutorial (1 hr) LO2 LO3 LO4 LO7
Week 04 Melodrama & Film Noir Lecture (2 hr) LO1 LO2 LO3 LO4 LO7
Music and character psychology. Reading against the grain: critiquing the classical Hollywood style. Tutorial (1 hr) LO2 LO3 LO7
Week 05 Mid-Century Innovations: "World" and "art" cinemas, documentaries. Creating screening notes. Lecture (2 hr) LO1 LO2 LO3 LO4 LO6 LO7
Discussions: Music and the "real"; "World" cinema; "Art" vs "Entertainment" Tutorial (1 hr) LO1 LO2 LO3 LO4 LO6
Week 06 The Roadshow Era: Epics, Westerns, & Spectacle; Mid-Century Musicals Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO7
The evolving film industry Musically Enhanced Reality Mode Tutorial (1 hr) LO1 LO2 LO3 LO7
Week 07 Popular Music, Popular Songs and the Soundtrack (1950s-) Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO7
Synergies and the resistant soundtrack Tutorial (1 hr) LO1 LO2 LO3 LO4 LO5 LO7
Week 08 Classical music in film, exploring the "fantastical gap". Lecture (2 hr) LO1 LO2 LO3 LO4 LO6 LO7
Music and Narrative Levels Tutorial (1 hr) LO3 LO6 LO7
Week 09 Music in "post-classical" Hollywood Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Coding music with meaning; Tutorial (1 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Week 11 Toward the Digital Era: Pop composers, eclecticism & sound design Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
The postmodern music score: anything goes? Tutorial (1 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Week 12 Science Fiction, Fantasy, & Horror; Late 20th & Early 21st-Century Animation Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Reflexivity and irony; music and sensation. Tutorial (1 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Week 13 Music, realism, & recreation; course review Lecture (2 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7
Ethics and film music; Review of concepts. Tutorial (1 hr) LO1 LO2 LO3 LO4 LO5 LO6 LO7

Attendance and class requirements

  • Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School, Program Leader, or relevant Unit of Study Coordinator. The Dean, Head of School, Program Leader or relevant Unit of Study Coordinator may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%. This applies to both Lectures and Tutorials, beginning at WK3.

 

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Required readings

Readings will appear in the reading list in Canvas - approximately 2 book chapters per week (or equivalent).

No texts need to be purchased for this subject. 

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Relate screen music to broader historical, technological or artistic trends.
  • LO2. Analyse film music, identifying narrative functions and effects on the audience.
  • LO3. Interpret cinematic music through critical perspectives.
  • LO4. Compare and contrast approaches to creating screen music.
  • LO5. Explain how commercial demands or business structures affected film music & musicians.
  • LO6. Compare the dominant ‘Hollywood’ paradigm to that of ‘art, ‘independent’, and ‘world’ cinemas.
  • LO7. Identify examples of film scoring techniques.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

Dear SoFM students, Thanks so much for your feedback on the unit. As I mentioned in one of the lectures, the subject was partly shaped by previous results, and your thoughts will help me tweak the course so future students will benefit. Thanks for paying it forward! Given this was my first time teaching this subject at uSyd, I was very happy with your feedback overall—I’m glad to hear you found the content engaging and rewarding. The one issue that appeared consistently was about the assessment design toward the end of the semester. Some of you expressed concerns about the group assignment, and some suggested that a peer review may be a helpful addition. The other concern was that the final weeks of content did not have an explicit assessment attached. The intention was for students to respond to ideas from the readings in the final weeks during their presentations, and the final lecture was intended to offer a summary/overview of the course (and film music history). However, I agree that a more explicit assessment will improve engagement in those final weeks. One of my challenges last year was adapting assessments to fit the new AI era. AI has begun to undermine the use of writing (such as essays) to demonstrate and assess knowledge. While this was the traditional way to assess survey subjects, I always doubted its ability to show knowledge so much as to demonstrate an ability to write. This concern—and the new assessment policies addressing AI—is why I designed the assignments to focus on in-class presentations, allowing you to show rather than write your thoughts and understanding. In the near term, this mode (in-class assessments) will remain essential to courses like this. Balancing this need with time demands (especially given survey subjects are very content-heavy) is tricky. I also believe that having you all speak to one another about ideas is one of the best ways to teach! So, next time I teach this unit, I will (1) review the readings; (2) rebalance assessments to cover the final weeks better; and (3) seek and develop an alternative to the group work assignment. For my part, it was a pleasure to share this subject with you—thanks for your engagement, questions and the playfulness you brought to the classes. I hope you keep exploring the enormous world of film music and use the ideas we discussed to think about other music for the screen (games, reels, etc.). We are in the middle of interesting times—watch this space! Thanks again, and all the best in your future endeavours! Andrew Callaghan

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