Unit outline_

MUSC3603: Advanced Digital Music Techniques

Semester 2, 2025 [Normal day] - Camperdown/Darlington, Sydney

This unit is an advanced exploration of digital sound and music in creative and multimedia contexts. It is a subject in which students are expected to make sophisticated use of sound creation and manipulation tools in pursuit of their own musical ideas. Students will undertake creative projects as a means to learning. An ability to read music at a basic level and an understanding of fundamental musical terminology is an advantage in this unit of study.

Unit details and rules

Academic unit Composition and Music Technology
Credit points 6
Prerequisites
? 
MUSC2653 or CMPN1013 or MUED1002
Corequisites
? 
None
Prohibitions
? 
None
Assumed knowledge
? 

None

Available to study abroad and exchange students

Yes

Teaching staff

Coordinator Alexis Weaver, alexis.weaver@sydney.edu.au
Guest lecturer(s) Damian Barbeler, damian.barbeler@sydney.edu.au
The census date for this unit availability is 1 September 2025
Type Description Weight Due Length Use of AI
Contribution Participation, contribution and attendance
The student actively engages in in-class tasks, discussions and mandated activities.
15% Multiple weeks Assessed throughout the Semester AI allowed
Outcomes assessed: LO2 LO5 LO6
Creative work Creative Assignment 2 - Choose your own Adventure
Creative sound work and written task
25% STUVAC
Due date: 10 Nov 2025 at 23:59
5-10 minutes AI allowed
Outcomes assessed: LO1 LO2 LO3 LO5 LO6
Presentation group assignment Innovations in Production Land: Group Presentation
Multimedia group presentation in class. Submit slides to Canvas on the due date.
10% Week 04
Due date: 24 Aug 2025 at 23:59
10 minutes AI allowed
Outcomes assessed: LO1 LO2 LO4 LO5
Creative work Creative Assignment 1- Psychedelic Remix
Composition and written task
20% Week 06
Due date: 12 Sep 2025 at 23:59
3 minutes AI allowed
Outcomes assessed: LO2 LO3 LO5 LO6
Creative work Technical Task - Fix the Mix
Technical mixing task and process diary
30% Week 09
Due date: 10 Oct 2025 at 23:59
Variable, depending on mix chosen AI allowed
Outcomes assessed: LO2 LO4 LO5 LO6
group assignment = group assignment ?

Assessment summary

Innovations in Production Land: Group In-Class Presentation: Group in-class presentation. Present a case study featuring a recent groundbreaking and/or high-end production technique, creative approach, workflow or technology. The work could be a song, an installation, or an album, etc., from any genre. The case study must be from the last 10 years.  Demonstrate technical information, use diagrams and images, and practical examples in a DAW or live performance.

Creative Assignment 1 - Psychedelic Remix: Demonstrate your existing and developing skills in the creation of an inventive, exploratory “Psychedelic” Remix or Mashup of an unusual and short (5-10 seconds max) audio sample. Include a variety of musical/sound layers. The sample can be taken from an existing musical work, but consider the need for the sample to be 'unusual'. Create a process diary (1000 words equivalent) explaining your artistic vision, research and workflow, showing screenshots of your working process in the DAW of your choice.

Technical Task - Fix the Mix: Choose one of the given audio file sets and fix the arrangement and mixing. Draw on your knowledge of mixing workflows, arranging, physics of sound and artistic vision to create a finished, broadcast-standard product. As per your first Creative assignment, this should be accompanied by a 1000-word equivalent process diary.

Creative Assignment 2 - Choose Your Own Adventure: Create a digital sound work of your own devising (this can be in any genre or format, including cross-disciplinary and multimedia work). Submit this in a broadcastable “studio” format. As per your first Creative assignment, this should be accompanied by a 1000-word equivalent process diary.  You also have the option to present this live at the Week 12 Showcase as part of your participation mark. 

Participation/Attendance/Contribution – In-class participation includes: contributing to in-class and online activities and discussions, completion of informal homework tasks, and participating in the Week 12 live Showcase in a variety of ways.

Assessment criteria

Please refer to the MUSC3603 Canvas site for more information on individual assessment criteria. 

The following grading criteria are used in this unit of study:

Result name

Mark range

Description

High distinction

85-100

Demonstrates high level of initiative in researching technical methods. Compelling, elegant artistic vision.  Sophisticated critical analysis of own creative work; high level engagement with quality production, sound sources and considered workflows and drafting. Innovative composing: music expressed with originality and precision. A sophisticated application of creative and technical methods; engaging musicality and underlying understanding of communication with an audience. Final products are highly professional and of a professional broadcast standard. Documentation is informative and gives deep insights into creative and other processes. Supporting documentation of workings are detailed and relevant. A strong personal ‘voice’ apparent in the musical expression.

Distinction

75 - 84

Demonstrates initiative in research and technical methods. Clear artistic vision. Good critical analysis of own creative work; engagement with quality production, bespoke sound sources and regular drafting. Well crafted composing: music expressed with emotion and conviction. Careful application of methods with musicality and underlying understanding of communication with an audience. Final products are near professional and of a near broadcast standard. Documentation is informative and gives insights into creative and other processes. A sense of an emerging personal ‘voice’ apparent in the musical expression.

Credit

65 - 74

Some independent research into technical methods. Artistic vision is present but not full focused. Reflection on own creative work; clear and mostly well made production. Thoughtful composing: music expressed solidly though lacking genuine emotion. Demonstration of methods learned in class, good and possibly inconsistent musicality. Good craft with some sense of communication with an audience. Final products are clean and transparent with certain inconsistencies in production standard. Documentation is informative without being genuinely insightful. Competent reproduction of established styles or genres.

Pass

50 - 64

Work meets basic requirements of research, composing, structure and musical presentation. Mixing is well presented but rudimentary with moments of poor clarity or disfunctional sound quality. Heavy relliance on pre-existing loops. Tendency to reproduction of models rather than invention and adaptation. Inconsistency in mixing and sound sources are largely drawn from libraries rather than being bespoke. Documentation is brief and not giving a full impression of the creative process.

Fail

0 - 49

Work may fail for any or all of the following reasons: incomplete or missing compositions; large sections of music incomplete or cut and paste from other artist’s work without any creative adaptation on the part of the student. Unbalanced mixing, or lack of mixing so that the music is muddy and difficult to hear. Lack of genuine engagement with the creative process. Lack of application of techniques from class. No artistic vision. Absent of very brief and superficial documentation with no screenshots of working.

For more information see sydney.edu.au/students/guide-to-grades.

For more information see guide to grades.

Use of generative artificial intelligence (AI)

You can use generative AI tools for open assessments. Restrictions on AI use apply to secure, supervised assessments used to confirm if students have met specific learning outcomes.

Refer to the assessment table above to see if AI is allowed, for assessments in this unit and check Canvas for full instructions on assessment tasks and AI use.

If you use AI, you must always acknowledge it. Misusing AI may lead to a breach of the Academic Integrity Policy.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Late submission

In accordance with University policy, these penalties apply when written work is submitted after 11:59pm on the due date:

  • Deduction of 5% of the maximum mark for each calendar day after the due date.
  • After ten calendar days late, a mark of zero will be awarded.

This unit has an exception to the standard University policy or supplementary information has been provided by the unit coordinator. This information is displayed below:

Late penalties will be applied in accordance with section 7a of the University of Sydney "Assessment Proceedures 2011".

Academic integrity

The University expects students to act ethically and honestly and will treat all allegations of academic integrity breaches seriously.

Our website provides information on academic integrity and the resources available to all students. This includes advice on how to avoid common breaches of academic integrity. Ensure that you have completed the Academic Honesty Education Module (AHEM) which is mandatory for all commencing coursework students

Penalties for serious breaches can significantly impact your studies and your career after graduation. It is important that you speak with your unit coordinator if you need help with completing assessments.

Visit the Current Students website for more information on AI in assessments, including details on how to acknowledge its use.

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension.  The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams.

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, AI in Education includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Support for students

The Support for Students Policy reflects the University’s commitment to supporting students in their academic journey and making the University safe for students. It is important that you read and understand this policy so that you are familiar with the range of support services available to you and understand how to engage with them.

The University uses email as its primary source of communication with students who need support under the Support for Students Policy. Make sure you check your University email regularly and respond to any communications received from the University.

Learning resources and detailed information about weekly assessment and learning activities can be accessed via Canvas. It is essential that you visit your unit of study Canvas site to ensure you are up to date with all of your tasks.

If you are having difficulties completing your studies, or are feeling unsure about your progress, we are here to help. You can access the support services offered by the University at any time:

Support and Services (including health and wellbeing services, financial support and learning support)
Course planning and administration
Meet with an Academic Adviser

WK Topic Learning activity Learning outcomes
Week 01 Lecture: Welcome, overview of course structure and approach, key dates, and revision of sound and production fundamentals. Tutorial: Intro to group assignment and Creative Task 1. Revision of mix references and mix maps. Lecture and tutorial (2 hr) LO1 LO2 LO4
Week 02 Exploring idiosyncratic production as a departure point for wider production techniques. Cultivating creativity and Inspiration. Tutorial: Group listening task and practical exercises. Sign-ups for group presentations. Lecture and tutorial (2 hr) LO2 LO3 LO4
Week 03 Panning, space, and the sonic 'ecosystem' - what we can learn from experimental music practices. Tutorial: Practical Group Mixing Exercise. Feedback on student drafts. Lecture and tutorial (2 hr) LO3 LO4 LO5 LO6
Week 04 Mixing Strategies, Filtering and Workflows. DAW mixing case study. Tutorial: Group Presentations x 3. Group Listening Task. Introduction of 2nd assignment. Lecture and tutorial (2 hr) LO1 LO3 LO4
Week 05 Lecture: Survey of high-end hardware and software. Tutorial: Group Presentations x 3. Feedback on student drafts. Showcase discussion. Lecture and tutorial (2 hr) LO2 LO3 LO4
Week 06 Exploring the effects of compression in different plugins. Extended mixing techniques and workflow tips. Case studies in interdisciplinary art and interactive work. Tutorial: Showcase preparation. Final group presentations. Student feedback on drafts. Lecture and tutorial (2 hr) LO1 LO2 LO3 LO6
Week 07 Guest lecture from Damian Barbeler: Mixing Techniques and Examples. Imaging, Listening, Mixing. Tutorial: Group Presentations x 3. Showcase preparation. Lecture and tutorial (2 hr) LO1 LO2 LO3 LO4
Week 08 Guest lecture from Damian Barbeler: Mixing Techniques and Examples. Imaging, Listening, Mixing. Tutorial: Group Presentations x 3. Introduction final assignment and showcase. Lecture and tutorial (2 hr) LO1 LO2 LO3 LO4 LO6
Week 09 Mixing workflow - organisation tips, rules to live by, rules to break. Tutorial: Showcase preparation and assignment work. Lecture and tutorial (2 hr) LO1 LO2 LO3
Week 10 Special Projects Week. Optional workshops at Conservatorium. Potential for an optional seminar based on student interest. Lecture and tutorial (2 hr) LO4 LO5 LO6
Week 11 Lecture: Mastering and levelling – how to ready your work for showcase, streaming and release. Tutorial: Showcase preparation and feedback on final works. Lecture and tutorial (2 hr) LO4 LO5 LO6
Week 12 SHOWCASE WEEK. Seminars will be dedicated to work on showcase projects. Lecture and tutorial (2 hr) LO1 LO5
Week 13 Showcase debrief! Discussion of final tips and tricks for mixing and mastering. Discussion of music career trajectories. Final task due STUVAC. Lecture and tutorial (2 hr) LO3 LO4 LO5

Attendance and class requirements

 

Attendance: Students are expected to attend a minimum of 90% of timetabled activities for a unit of study, unless granted exemption by the Dean, Head of School, Program Leader, or relevant Unit of Study Coordinator. The Dean, Head of School, Program Leader or relevant Unit of Study Coordinator may determine that a student fails a unit of study because of inadequate attendance. Alternatively, at their discretion, they may set additional assessment items where attendance is lower than 90%.

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Study commitment

Typically, there is a minimum expectation of 1.5-2 hours of student effort per week per credit point for units of study offered over a full semester. For a 6 credit point unit, this equates to roughly 120-150 hours of student effort in total.

Learning outcomes are what students know, understand and are able to do on completion of a unit of study. They are aligned with the University's graduate qualities and are assessed as part of the curriculum.

At the completion of this unit, you should be able to:

  • LO1. Understand the development of electronic music instruments and effects across the twentieth and twenty-first centuries across a wide variety of genres.
  • LO2. Employ digital music terminology and relate such terminology to real-world professional audio scenarios.
  • LO3. Learn creative production workflows including using virtual instruments, step sequencers, digital samplers, drum machines and mixers in an applied workflow.
  • LO4. Learn advanced strategies for mixing, EQing and spectral analysis to improve mix clarity, to experiment and to innovate.
  • LO5. Document creative processes effectively and demonstrate your understanding of prior work.
  • LO6. Make informed choices when selecting sound synthesis, audio effects and other digital methods in the creation of new works.

Graduate qualities

The graduate qualities are the qualities and skills that all University of Sydney graduates must demonstrate on successful completion of an award course. As a future Sydney graduate, the set of qualities have been designed to equip you for the contemporary world.

GQ1 Depth of disciplinary expertise

Deep disciplinary expertise is the ability to integrate and rigorously apply knowledge, understanding and skills of a recognised discipline defined by scholarly activity, as well as familiarity with evolving practice of the discipline.

GQ2 Critical thinking and problem solving

Critical thinking and problem solving are the questioning of ideas, evidence and assumptions in order to propose and evaluate hypotheses or alternative arguments before formulating a conclusion or a solution to an identified problem.

GQ3 Oral and written communication

Effective communication, in both oral and written form, is the clear exchange of meaning in a manner that is appropriate to audience and context.

GQ4 Information and digital literacy

Information and digital literacy is the ability to locate, interpret, evaluate, manage, adapt, integrate, create and convey information using appropriate resources, tools and strategies.

GQ5 Inventiveness

Generating novel ideas and solutions.

GQ6 Cultural competence

Cultural Competence is the ability to actively, ethically, respectfully, and successfully engage across and between cultures. In the Australian context, this includes and celebrates Aboriginal and Torres Strait Islander cultures, knowledge systems, and a mature understanding of contemporary issues.

GQ7 Interdisciplinary effectiveness

Interdisciplinary effectiveness is the integration and synthesis of multiple viewpoints and practices, working effectively across disciplinary boundaries.

GQ8 Integrated professional, ethical, and personal identity

An integrated professional, ethical and personal identity is understanding the interaction between one’s personal and professional selves in an ethical context.

GQ9 Influence

Engaging others in a process, idea or vision.

Outcome map

Learning outcomes Graduate qualities
GQ1 GQ2 GQ3 GQ4 GQ5 GQ6 GQ7 GQ8 GQ9

This section outlines changes made to this unit following staff and student reviews.

Thank you to everyone who took the time to give their feedback on MUSC3603. I was happy to read that students found the content, diversity of guests and especially the assignments valuable and applicable to their wider musical practice. Students also gave fantastic suggestions for further improvements; including more 'bridging' of knowledge between the introductory and advanced Unit, more diversity in the musical examples given, and more time in class for practical implementation. I will make changes to lectures and class activities to focus on these points for growth. Thanks all, and bring on 2025!

Simple extensions

If you encounter a problem submitting your work on time, you may be able to apply for an extension of five calendar days through a simple extension. The application process will be different depending on the type of assessment and extensions cannot be granted for some assessment types like exams or presentations. 

Special consideration

If exceptional circumstances mean you can’t complete an assessment, you need consideration for a longer period of time, or if you have essential commitments which impact your performance in an assessment or during the semester, you may be eligible for special consideration or special arrangements.

Special consideration applications will not be affected by a simple extension application.

Using AI responsibly

Co-created with students, the USYD AI in Education Canvas Module includes lots of helpful examples of how students use generative AI tools to support their learning. It explains how generative AI works, the different tools available and how to use them responsibly and productively.

Disclaimer

The University reserves the right to amend units of study or no longer offer certain units, including where there are low enrolment numbers.

To help you understand common terms that we use at the University, we offer an online glossary.