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Unit of study_
MCGY3638: Harmony as Counterpoint
2026 unit information
Composition and basso continuo manuals from the 17th and 18th centuries often describe music as the movement of parts, rather than progressions of chords. This approach focuses on voice leading primarily and harmony as its consequence, contrary to the theory of Rameau. Students will study different styles through the examination of relevant contemporary sources and put that knowledge into practice by emulating those styles in composition and performance. Offering a deep understanding of how Baroque and Classical composers conceived their music, this unit is intended to challenge the way that students listen to and play works within and outside of the canon.
Unit details and rules
Managing faculty or University school:
Sydney Conservatorium of Music
| Study level | Undergraduate |
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| Academic unit | Analysis, History and Cultural Studies |
| Credit points | 6 |
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Prerequisites:
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None |
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Corequisites:
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None |
| Prohibitions:
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None |
| Assumed knowledge:
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None |
At the completion of this unit, you should be able to:
- LO1. acquire basic skills in 17th and 18th-century compositional techniques to compose in a variety of styles using historically appropriate methods
- LO2. develop basic historically-informed analysis research skills
- LO3. apply appropriate analysis skills to enhance performance
Unit availability
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Modes of attendance (MoA)
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